SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Twenty Four Frames Under: A Buried History of Film Music
0 references·16 citing·34 second hop
Twenty Four Frames Under: A Buried History of Film Music (1999)Twenty Four Frames Under: A Buried Histor…Korngold in America (2025)Korngold in AmericaArt Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema (2021)Art Music, Perfection and Pow…Musik im Film (2019)Musik im FilmThe emotional experience of films: does Audio Description make a difference? (2015)The emotional experience of f…San Francisco and the Politics of Hardcore (2014)San Francisco and the Politic…Hearing things in music for films: music, fiction and engagement (2013)Hearing things in music for f…The Evolving 'Temp Score' in Animation (2011)The Evolving 'Temp Score' in …The Hollywood Career of Gershwin's Second Rhapsody (2007)The Hollywood Career of Gersh…Remodeling Britney Spears: Matters of Intoxication and Mediation (2007)Remodeling Britney Spears: Ma…The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)The Girl and the Phonograph; …Surreal Symphonies (2001)Surreal SymphoniesPopular Songs and Comic Allusion in Contemporary Cinema (2001)Popular Songs and Comic Allus…Picturizing American Cinema (2001)Picturizing American CinemaMusic as Ethnic Marker in Film (2001)Music as Ethnic Marker in FilmCrossing Musical Borders (2001)Crossing Musical BordersCinema and Popular Song (2001)Cinema and Popular SongBodies that Matter: on the Discursive Limits of 'Sex' (1994)Bodies That Matter (2011)Music Video Transformed (2013)Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’sPartition (2015)El Mal Querer como álbum visual: simbología de lo español, apropiación y narrativa transmedia en los videoclips de Rosalía (2021)Revolution in Poetic Language (2024)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)An argument for basic emotions (1992)Enriched Audio Description: Working Towards an Inclusive Museum Experience (2017)Vocal delivery of audio description by genre: measuring users’ presence (2017)Museum audio description: the problem of textual fidelity (2018)Film music: A neglected art : a critical study of music in films (1992)The Hollywood Musical (1992)The speed of sound: Hollywood and the talkie revolution, 1926-1930 (1998)Gershwin in Hollywood (2019)The Cambridge Companion to Gershwin (2019)Writing for the Big Screen:Shall We DanceandA Damsel in Distress (2019)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The Black Atlantic: Modernity and Double Consciousness (1994)Wet Dreams: Erotic Film Festivals of the Early 1970s and the Utopian Sexual Public Sphere (2006)As if History was Merely a Record : The pathology of nostalgia and the figure of the recording in contemporary popular cinema (2008)‘Same old song’: on audio-visual style in the films of Wes Anderson (2011)Frame Analysis: An Essay on the Organization of Experience. (1975)Consumer Authentication of Popular Music in the Global Postmodern (2013)“Dumb” Performance as a Marker of Authenticity (2018)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Notes on metamodernism (2010)The Christian Science Monitor (2011)Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound (2008)MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)PARADOXES OF PASTICHE: (2007)The End is Nigh (2014)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015The emotional experience of films: does Audio Description make a difference?68 cited
  • 2007Remodeling Britney Spears: Matters of Intoxication and Mediation32 cited
  • 2007The Hollywood Career of Gershwin's Second Rhapsody32 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2025Korngold in America18 cited
  • 2001Cinema and Popular Song16 cited
  • 2001Music as Ethnic Marker in Film9 cited
  • 2001Picturizing American Cinema9 cited
  • 2001Crossing Musical Borders5 cited
  • 2001Surreal Symphonies4 cited
  • 2014San Francisco and the Politics of Hardcore3 cited
  • 2021Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema3 cited
  • 2019Musik im Film2 cited
  • 2013Hearing things in music for films: music, fiction and engagement2 cited
  • 2011The Evolving 'Temp Score' in Animation

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2 cited