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Cited by

• 2016Identity-in-the-work and musicians’ struggles: the production of self-questioning identity work114 cited
• 2019Care-ful Work: An Ethics of Care Approach to Contingent Labour in the Creative Industries83 cited
• 2012An addictive environment: New Zealand film production workers’ subjective experiences of project-based labour78 cited
• 2014‘Men own television’: why women leave media work62 cited
• 2012Contingent Work and Its Contradictions: Towards a Moral Economy Framework61 cited
• 2014Unpaid work in the UK television and film industries: Resistance and changing attitudes60 cited
• 2015The impact of sectoral changes on individual competences: A reflective scenario-based approach in the creative industries54 cited
• 2018Self-authorship and creative industries workers’ career decision-making47 cited
• 2017Diversifying the creative: Creative work, creative industries, creative identities40 cited
• 2019Precarious Creativity36 cited
• 2018Hiding gender: How female composers manage gender identity36 cited
• 2012Dealing with reality: Market demands, artistic integrity, and identity work in reality television production34 cited
• 2017Autonomy and resilience in cultural work: looking beyond the ‘creative industries’33 cited