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Our Musicals, Ourselves: A Social History of the American Musical Theatre
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  • 2004Musical theater and American culture49 cited
  • 2011Enzyklopädie jüdischer Geschichte und Kultur32 cited
  • 2012Yip Harburg: Legendary Lyricist and Human Rights Activist25 cited
  • 2008"Defying Gravity": Queer Conventions in the Musical Wicked21 cited
  • 2006“WE'LL ALWAYS BE BOSOM BUDDIES”15 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2016Music in the Age of Anxiety: American Music in the Fifties10 cited
  • 2014“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story6 cited
  • 2017The utilization of non-classical approaches to teaching musical theatre repertoire to the undergraduate soprano voice major5 cited
  • 2019“Immigrants! We get the Job Done!”: newcomers remaking America on Broadway4 cited
  • 2010Attention must be paid, cried the balladeer: The concept musical defined4 cited
  • 2011Green Glass and Emeralds: Citation, Performance, and the Dynamics of Ethnic Parody in Thoroughly Modern Millie3 cited
  • 2009Brigadoon: Lerner and Loewe's Scotland3 cited
  • 2008Performing Race and Place in Asian America: Korean American Adoptees, Musical Theatre, and the Land of 10,000 Lakes

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3 cited
  • 2016Playing God: the Bible on the Broadway stage3 cited
  • 2018The “Phan”-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness2 cited