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Lucan and the Sublime: Power, Representation and Aesthetic Experience
16 references·4 citing·30 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1984The Postmodern Condition: A Report on Knowledge15,070 cited
  • 1990The sublime object of ideology5,690 cited
  • 2018Civilization and Its Discontents4,247 cited
  • 2005THE POLITICS OF AESTHETICS: THE DISTRIBUTION OF THE SENSIBLE2,398 cited
  • 1986On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection2,317 cited
  • 1982Renaissance Self-Fashioning from More to Shakespeare1,639 cited
  • 1988The Ideology of the Aesthetic1,455 cited
  • 1996A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759)1,350 cited
  • 2000Critique of the Power of Judgment1,260 cited
  • 1973The Pleasure of the Text1,140 cited
  • 1987The Truth in Painting1,109 cited
  • 1999S. Hinds, Allusion and Intertext: Dynamics of Appropriation in Roman Poetry (Roman Literature and its Contexts). Cambridge: Cambridge University Press. 1998. Pp. xvi + 155. ISBN 0-521-57186-3 (bound); 0-521-57677-6 (paper). £32.50 (bound); £11.95 (paper).923 cited
  • 1986Virgil's Aeneid: Cosmos and Imperium896 cited
  • 1992The inhuman: reflections on time862 cited

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  • 1999On Beauty and Being Just824 cited
  • Cited by

    • 2014On the Sauce: Cratinus, Cyclopean Poetics, and the Roiling Sea of Epic34 cited
    • 2019Tradition and Innovation in theKosmos–Polis Analogy32 cited
    • 2017Pharsalia as Rome's "Day of Doom" in Lucan30 cited
    • 2019Cosmos in the Ancient World29 cited