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The Cambridge Companion to Verdi
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The Cambridge Companion to Verdi (2004)The Cambridge Companion to VerdiThe Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Cambridge Companion to Wa…Verdi, Opera, Women (2013)Verdi, Opera, WomenThoughts onRigoletto (2011)Thoughts onRigolettoLe travail à l’œuvre: Enquête sur l’autorité contingente du créateur dans l’art lyrique (2010)Le travail à l’œuvre: Enquête…Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera (2008)Verdi and the French Aestheti…The Puccini Problem: Opera, Nationalism, and Modernity (2007)The Puccini Problem: Opera, N…The Rhythmic Structure of Music (1962)The Stratification of Musical Rhythm (1976)Listening in Paris: A Cultural History. (1995)The Language of National Style (2015)Gilda seduced: A tale untold (1992)La traviataand Oedipus (2014)An Essay on the Dramatic Character of Sir John Falstaff (1777) (2015)Information Encountering at the Opera: What Donizetti and Romani’s Opera BuffaL’elisir d’amoreCan Teach Us About Pseudo-Serendipity in Human Information Behaviour (2020)Blind variation and selective retentions in creative thought as in other knowledge processes. (1960)Emotion and Meaning in Music (1961)The System of Professions (1988)Difference and Pathology: Stereotypes of Sexuality, Race, and Madness (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The New Grove dictionary of music and musicians (2001)Il trittico, Turandot, and Puccini's late style (2011)Futurism in Venice, Crisis and “la musica dell’avvenire,” 1924* (2014)Modernism and Opera (2016)From Max Weber: Essays in Sociology (1946)Philosophical Investigations (1954)Simulacra and Simulation (1995)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)Brecht on Theatre: The Development of an Aesthetic (1964)Star gazing: Hollywood cinema and female spectatorship (1995)A Theory of Adaptation (2006)Affect, language, race, voice: opera singers in nineteenth-century United States (2020)The Female Sublime: Domesticating Luigia Todi’s Voice (2021)
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Cited by

  • 2008Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera34 cited
  • 2007The Puccini Problem: Opera, Nationalism, and Modernity30 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2013Verdi, Opera, Women10 cited
  • 2011Thoughts onRigoletto10 cited
  • 2010Le travail à l’œuvre: Enquête sur l’autorité contingente du créateur dans l’art lyrique9 cited

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