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Between Shanghai and Hong Kong: the politics of Chinese cinemas
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Cited by

  • 2012Creativity and its discontents: China's creative industries and intellectual property rights offenses38 cited
  • 2017Early Film Culture in Hong Kong, Taiwan, and Republican China24 cited
  • 2007‘Woman’, fetish, particularism: Articulating Chinese cinema with a cross-cultural problematic18 cited
  • 2017Suspended animation: The Wan Brothers and the (In)animate Mainland-Hong Kong Encounter, 1947–195617 cited
  • 2012Wenyiand the branding of early Chinese film13 cited
  • 2013A past revisited: Re-presentation of the Nanjing Massacre inCity of Life and Death10 cited
  • 2008From transnationalism to nativism? The rise, decline and reinvention of a regional Hokkien entertainment industry 19 cited
  • 2009In search of a ‘cinematic Esperanto’: exhibiting wartime Chongqing cinema in global context9 cited
  • 2011Global Media Capital and Local Media Policy9 cited
  • 2019Between Hong Kong and San Francisco: A Transnational Approach to Early Chinese Diasporic Cinema4 cited
  • 2009Dubious prosperity: Women and entertainment in wartime Shanghai4 cited
  • 2013Image, Precariousness and the Logic of Cultural Production in Hong Kong3 cited

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