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Music to my ears, but words to my eyes? Text, opera and their audiences
8 references·0 citing·22 second hop
Music to my ears, but words to my eyes? Text, opera and their audiences (2021)Music to my ears, but words to my eyes? T…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…The Source Text of Opera Surtitles (2004)The Source Text of Opera Surt…Inventing popular culture: from folklore to globalization (2003)Inventing popular culture: fr…Surtitles for Opera (2002)Surtitles for OperaMarketing Cultural Organisations: New Strategies for Attracting Audiences to Classical Music, Dance, Museums, Theatre and Opera (2000)Marketing Cultural Organisati…Noise: The Political Economy of Music (1989)Noise: The Political Economy …Noise, the Political Economy of Music (1989)Noise, the Political Economy …The Tenth Muse: A Historical Study of the Opera Libretto (1971)The Tenth Muse: A Historical …On Linguistic Aspects of Translation (1959)Languages of the Stage; Essays in the Semiology of Theatre (1983)Multimodal Discourse: The Modes and Media of Contemporary Communication (2001)Multilingualism in opera production, reception and translation (2013)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Dr. Mephistopheles: Doctors and Devils in the Librettos of Barbier and Carré (1993)‘Too much music’: the media of opera (2012)The Cambridge Companion to Opera Studies (2012)Club cultures: music, media and subcultural capital (1996)A Sweet Lullaby for World Music (2000)Classification as Culture: Types and Trajectories of Music Genres (2008)Music at Work: An Introduction (2007)Bodily rhythms: Corporeal capacities to engage with festival spaces (2010)Home sounds: experiential practices and performativities of hearing and listening (2013)From displaying to becoming national heritage: the case of thePousadas de Portugal (2014)Theorising the role of cultural products in cultural diplomacy from a Cultural Studies perspective (2014)The vernacular of photobombing: The aesthetics of transgression (2017)A STRATEGIC LOGIC FOR ARTS MARKETING (2006)Arts Marketing Performance: An Artistic-Mission-Led Approach to Evaluation (2010)New Audiences for Classical Music: The Experiences of Non-attenders at Live Orchestral Concerts (2010)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 2003Inventing popular culture: from folklore to globalization194 cited
  • 1989Noise: The Political Economy of Music93 cited
  • 1971The Tenth Muse: A Historical Study of the Opera Libretto78 cited
  • 2000Marketing Cultural Organisations: New Strategies for Attracting Audiences to Classical Music, Dance, Museums, Theatre and Opera74 cited
  • 2004The Source Text of Opera Surtitles32 cited
  • 2002Surtitles for Opera30 cited

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