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The Cambridge Companion to Brahms
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Cited by

  • 2019The Cambridge History of Music Criticism85 cited
  • 2019Writing about Popular Music53 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 2013Brahms, Kierkegaard and Repetition: Three Intermezzi27 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2013The Cambridge Companion to the Symphony22 cited
  • 2013Layers of representation in nineteenth-century genres: the case of one Brahmsballade14 cited
  • 2022Rethinking Brahms11 cited
  • 2000Brahms' Lullaby Revisited8 cited
  • 2007Reforming Johannes: Brahms, Kreisler Junior and the Piano Trio in B, Op. 86 cited
  • 2019Brahms's Elegies6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
  • 2013Other classical repertories4 cited
  • 2004An Application of the Grundgestalt Concept to the First and Second Sonatas for Clarinet and Piano, Op. 120, No. 1 & No. 2, by Johannes Brahms4 cited

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2019
Critiquing the Canon: The Role of Criticism in Canon Formation
4 cited