SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
José, Can You See?: Latinos On And Off Broadway
0 references·16 citing·45 second hop
José, Can You See?: Latinos On And Off Broadway (1999)José, Can You See?: Latinos On And Off Br…Hierarchies among intertextual references: reading Reggaeton Ilustrado ’s digital humour through the colonial matrix of power (2023)Hierarchies among intertextua…Reinventing Enrique Iglesias: Constructing Latino whiteness in the Latin urban scene (2019)Reinventing Enrique Iglesias:…How to Read a Latinx Play in the Twenty-first Century: Learning from Quiara Hudes (2017)How to Read a Latinx Play in …Transculturation, Syncretism, and Hybridity (2016)Transculturation, Syncretism,…Compiling West Side Story ’s Parahistories, 1949–2009 (2012)Compiling West Side Story ’s …Integration through the wide open back door: African Americans respond to Flower Drum Song (1958) (2010)Integration through the wide …Exhibiting Voice/Narrating Migration: Performance-based Curatorial Practice in¡Azúcar!The Life and Music of Celia Cruz (2009)Exhibiting Voice/Narrating Mi…Contemporary Latina/o Theater: Wrighting Ethnicity (2008)Contemporary Latina/o Theater…"'Mira, Yo Soy Boricua y Estoy Aquí': Rafa Negrón's Pan Dulce and the Queer Sonic Latinaje of San Francisco" (2007)"'Mira, Yo Soy Boricua y Esto…The Latina/o Problematic: Categories and Questions in Media Communication Research (2006)The Latina/o Problematic: Cat…Performing Gender and Interpersonal Communication Research (2006)Performing Gender and Interpe…Chapter 9: The Latina/o Problematic: Categories and Questions in Media Communication Research (2006)Chapter 9: The Latina/o Probl…“WE'LL ALWAYS BE BOSOM BUDDIES” (2006)“WE'LL ALWAYS BE BOSOM BUDDIE…Transforming the Personal, Political, Historical, and Sacred Faces of the Latino Male (2005)Transforming the Personal, Po…Remembering Selena, Re-membering Latinidad (2002)Remembering Selena, Re-member…Violent Inscriptions: Writing the Body and Making Community in Four Plays by Migdalia Cruz (2000)Violent Inscriptions: Writing…Unmarked: The Politics of Performance (1994)Cities of the Dead: Circum-Atlantic Performance. (1997)Disidentifications: Queers Of Color And The Performance Of Politics (1999)‘People take for granted that you know how to dance Salsa and Merengue’: transnational diasporas, visual discourses and racialized knowledge in Sweden's contemporary Latin music boom (2009)Foundational Fictions: The National Romances of Latin America (1992)Routes: Travel and Translation In the Late Twentieth Century (1998)Routes: Travel and Translation in the Late Twentieth Century. (1998)Chicago house music, from dance floor to museum: the Frankie Knuckles Vinyl Collection (2016)Sonic cultural citizenship through performance: CASA 0101’s production of Josefina López’sDetained in the Desert (2017)Making Things Perfectly Queer: Interpreting Mass Culture (1993)The queen's throat: opera, homosexuality, and the mystery of desire (1993)Musicking: The Meanings of Performing and Listening (2000)“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story (2014)Establishing Identity, Finding Community, and Embracing Fluidity (2016)Gender Trouble: Feminism and the Subversion of Identity (1991)Excitable Speech: A Politics of the Performative (1997)Bodies That Matter (2011)Race rebels: culture, politics, and the black working class (1995)Ghostly Matters: Haunting and the Sociological Imagination (1999)Soundscapes of Labor and Belonging (2018)Beyond Boystown: Latinidad on the outskirts of queer Chicago nightlife (2020)Culture and Truth: The Remaking of Social Analysis. (1990)Racial Formation in the United States: From the 1960s to the 1990s (1994)Hybrid cultures: strategies for entering and leaving modernity (1996)Communication and Community: Clarifying the Connection Across the Communication Community (2007)Retrospective on Latin@ Rhetorical-Performance Scholarship: From “Chicano Communication” to “Latina/o Communication?” (2008)Public Interest Media Advocacy and Activism as a Social Movement (2009)Imperial Eyes (1900)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Imperial Eyes: Travel Writing and Transculturation. (1993)Reimagining Instruction in Special Collections: The Special Case of Haiti (2020)Language and the mind: how language shapes our thinking (2023)Frame Analysis: An Essay on the Organization of Experience. (1975)Politics Out of History (2001)Migrant melodrama and Elvira Arellano (2012)Writing and the Modern Stage: Theater beyond Drama (2017)Ethnic labels, Latino lives: identity and the politics of (re)presentation in the United States (1995)Latinos, Inc.: the marketing and making of a people (2002)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Bienaventurado el que escuche este liriqueo: Negotiating latinidad through reggaeton (2022)‘No’ Dimo’ par de Botella’ y Ahora Etamo’ Al Garete’: Exploring the Intersections of Coda /s/, Place, and the Reggaetón Voice (2024)Desire in Language: A Semiotic Approach to Literature and Art (1981)Coloniality of Power and Eurocentrism in Latin America (2000)Qualitative Content Analysis (2008)AIsplaining (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007"'Mira, Yo Soy Boricua y Estoy Aquí': Rafa Negrón's Pan Dulce and the Queer Sonic Latinaje of San Francisco"33 cited
  • 2008Contemporary Latina/o Theater: Wrighting Ethnicity32 cited
  • 2019Reinventing Enrique Iglesias: Constructing Latino whiteness in the Latin urban scene30 cited
  • 2002Remembering Selena, Re-membering Latinidad25 cited
  • 2016Transculturation, Syncretism, and Hybridity24 cited
  • 2023Hierarchies among intertextual references: reading Reggaeton Ilustrado ’s digital humour through the colonial matrix of power21 cited
  • 2006The Latina/o Problematic: Categories and Questions in Media Communication Research21 cited
  • 2006Performing Gender and Interpersonal Communication Research19 cited
  • 2006“WE'LL ALWAYS BE BOSOM BUDDIES”15 cited
  • 2009Exhibiting Voice/Narrating Migration: Performance-based Curatorial Practice in¡Azúcar!The Life and Music of Celia Cruz11 cited
  • 2005Transforming the Personal, Political, Historical, and Sacred Faces of the Latino Male11 cited
  • 2010Integration through the wide open back door: African Americans respond to Flower Drum Song (1958)10 cited
  • 2012Compiling West Side Story ’s Parahistories, 1949–200910 cited
  • 2006Chapter 9: The Latina/o Problematic: Categories and Questions in Media Communication Research

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

10 cited
  • 2000Violent Inscriptions: Writing the Body and Making Community in Four Plays by Migdalia Cruz8 cited
  • 2017How to Read a Latinx Play in the Twenty-first Century: Learning from Quiara Hudes6 cited