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The land without music: music, culture and society in twentieth-century Britain
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  • 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space133 cited
  • 2011Music festival sponsorship: between commerce and carnival68 cited
  • 2001The effect of generational change on classical music concert attendance and orchestras' responses in the UK and US61 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2005Knowledge characteristics of communities of practice43 cited
  • 2003Just a closer walk with thee: New Orleans-style jazz and the Campaign for Nuclear Disarmament in 1950s Britain29 cited
  • 2002Ethnic preference for the arts: the role of the social experience as attendance motivation28 cited
  • 2007Spirituality in the Musical Experience23 cited
  • 2016The Decline of the Subscriber Base: A Study of the Philharmonia Orchestra Audience20 cited
  • 2021Music Festival Capitalism19 cited
  • 2000You Call This Fun? Reactions of Young First-time Attendees to a Classical Concert19 cited
  • 2012The performer and the composer10 cited
  • 2017Magical Serialism: Modernist Enchantment in Elisabeth Lutyens'sO Saisons, O Châteaux!7 cited

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  • 2012Instrumental performance in the nineteenth century6 cited
  • 2019From Woodstock to Glastonbury to the Isle of Wight: The Role of Festival Films in the Construction of the Countercultural Carnivalesque6 cited