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The complete Stanislavsky toolkit
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The complete Stanislavsky toolkit (2008)The complete Stanislavsky toolkitStanislavski training and mindfulness – being in the moment (2022)Stanislavski training and min…Rediscovering Stanislavsky (2019)Rediscovering StanislavskyStanislavski’s system in musical theatre actor training: anomalies of acting song (2016)Stanislavski’s system in musi…Creativity: the Actor in Performance (2014)Creativity: the Actor in Perf…Making Mischief: Peter Kosminsky, Stephen Frears and British Television Docudrama (2012)Making Mischief: Peter Kosmin…Grundelemente (2): Formprinzipien der dramaturgischen Komposition (2012)Grundelemente (2): Formprinzi…Twenty-first-century Russian actor training: Active Analysis in the UK (2011)Twenty-first-century Russian …Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…One-way street, and other writings (1979)The Persistence of History (Cinema, Television and the Modern Event) (1997)Seeing Things (2000)Creating a Role (1957)Twentieth century actor training (2000)An Actor's Work (2008)Keywords: A Vocabulary of Culture and Society (1977)From Ritual to Theatre: The Human Seriousness of Play (1983)The Concept of Creativity: Prospects and Paradigms (1998)Dynamics of the Singing Voice (1995)Stanislavsky in Focus: An Acting Master for the Twenty-First Century (1998)Exploring musical theatre performance synergy: Accessing seven performative processes (2022)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Uplift, Gender, and Scott Joplin's Treemonisha (2015)Theorie des modernen Dramas (1958)Grundfragen der allgemeinen Sprachwissenschaft (1967)Theatre as Sign System: A Semiotics of Text and Performance (1991)Brecht on Theatre: The Development of an Aesthetic (1964)The Sacred and The Profane: The Nature of Religion (1987)The Cultural Front (1992)Teaching Stanislavsky: periodization and the formation of theatre canons (2020)Konstantin Stanislavski and Emile Jaques-Dalcroze: historical and pedagogical connections between actor training and music education (2021)“Music, singing, word, action”: the Opera-Dramatic Studio 1935–1938 (2023)Out of Our Minds Learning to Be Creative (2002)Full catastrophe living : how to cope with stress, pain and illness using mindfulness meditation (2004)The art and science of mindfulness: Integrating mindfulness into psychology and the helping professions. (2009)
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Cited by

  • 2019Rediscovering Stanislavsky25 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2016Stanislavski’s system in musical theatre actor training: anomalies of acting song9 cited
  • 2012Making Mischief: Peter Kosminsky, Stephen Frears and British Television Docudrama8 cited
  • 2011Twenty-first-century Russian actor training: Active Analysis in the UK7 cited
  • 2014Creativity: the Actor in Performance6 cited
  • 2012Grundelemente (2): Formprinzipien der dramaturgischen Komposition5 cited
  • 2022Stanislavski training and mindfulness – being in the moment5 cited

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