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Music for the common man: Aaron Copland during the Depression and war
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Cited by

  • 2018The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham38 cited
  • 2012Frontier figures: American music and the mythology of the American West31 cited
  • 2008Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films27 cited
  • 2016The Composers’ Collective of New York, 1932–1936: Bourgeois Modernism for the Proletariat24 cited
  • 2009Music of the Americas and Historical Narratives20 cited
  • 2012Stefan Wolpe and the Avant-Garde Diaspora18 cited
  • 2011Aaron Copland and the Politics of Cultural Diplomacy13 cited
  • 2008Paul Robeson's Ballad for Americans: Race and the Cultural Politics of “People's Music”13 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2015Carlos Chávez’s Polysemic Style:9 cited
  • 2015Scoring The President: Myth and Politics in John Williams'sJFKandNixon7 cited
  • 2011Leonard Bernstein’s The Age of Anxiety: A Great American Symphony during McCarthyism6 cited
  • 2010The Structure and Genesis of Copland'sQuiet City2 cited

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