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The Sense of Art
0 references·9 citing·30 second hop
The Sense of Art (2014)The Sense of ArtReconsidering the exhibitionWhen Attitudes Become Formcurated by Harald Szeemann: form versus “anti-form” in contemporary art (2017)Reconsidering the exhibitionW…The Aesthetic Experience, Flow, and Smart Technology: Viewing Art in a Virtual Environment (2016)The Aesthetic Experience, Flo…Private Perceptions, Public Reflections: Aesthetic Encounters as Vehicles for Shared Meaning Making. (2011)Private Perceptions, Public R…Creating a Learning Space That Is Virtual and Experiential (2008)Creating a Learning Space Tha…Efland on the Aesthetic and Visual Culture: A Response (2005)Efland on the Aesthetic and V…The Sense of Art History in Art Education (2002)The Sense of Art History in A…Aesthetigrams: Mapping Aesthetic Experiences (1998)Aesthetigrams: Mapping Aesthe…Second and Sixth Grade Students' Art Historical Interpretation Abilities: A One-Year Study (1995)Second and Sixth Grade Studen…Evidence for Art Historical Interpretation Referred to by Young People and Adults (1994)Evidence for Art Historical I…Knowledge and Human Interests (1968)How We Understand Art: A Cognitive Development Account of Aesthetic Experience (1991)Democracy and Education (2015)Turning Polemics into Pedagogy: Teaching about Censorship in Art Education (2016)The development of a student engagement instrument for the responding strand in visual arts (2018)Frames of Mind: The Theory of Multiple Intelligences (1984)Flow: the psychology of optimal experience (1990)The fifth discipline, the art and practice of the learning organization (1991)Being and Time (1927)Ideas: General Introduction to Pure Phenomenology. (1932)Truth and Method (1960)Experimental and Quasi-Experimental Designs for Research (1963)Phenomenological research methods (1994)Motivation and Personality (1997)The Aesthetic Point of View: Selected Essays (1983)Art and the domain of the aesthetic (2000)Merit, Aesthetic and Ethical (2001)After the End of Art: Contemporary Art and the Pale of History (1998)Conceptual Art : A Critical Anthology (1999)The abuse of beauty : aesthetics and the concept of art (2003)The Influence of Age on Preferences for Subject Matter, Realism, and Spatial Depth in Painting Reproductions (1980)Discipline-Based Art Education: Becoming Students of Art (1987)Effects of Art History Instruction on Fourth and Eighth Grade Students' Abilities to Interpret Artworks Contextually (1998)Why Study Classroom Art Talk? (2001)Frameworks for Understanding Art: The Function of Comparative Art Contexts and Verbal Cues (1992)Aesthetics; Problems in the Philosophy of Criticism (1959)Phenomenological Psychology (1977)Learning How to Learn (1984)Words for Artworks: The Aesthetics of Meaning Making (2013)Understanding people’s needs in a commercial public space (2014)
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Cited by

  • 1998Aesthetigrams: Mapping Aesthetic Experiences16 cited
  • 1994Evidence for Art Historical Interpretation Referred to by Young People and Adults16 cited
  • 2011Private Perceptions, Public Reflections: Aesthetic Encounters as Vehicles for Shared Meaning Making.11 cited
  • 1995Second and Sixth Grade Students' Art Historical Interpretation Abilities: A One-Year Study10 cited
  • 2005Efland on the Aesthetic and Visual Culture: A Response8 cited
  • 2002The Sense of Art History in Art Education8 cited
  • 2008Creating a Learning Space That Is Virtual and Experiential6 cited
  • 2017Reconsidering the exhibitionWhen Attitudes Become Formcurated by Harald Szeemann: form versus “anti-form” in contemporary art5 cited
  • 2016The Aesthetic Experience, Flow, and Smart Technology: Viewing Art in a Virtual Environment3 cited

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