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The Gendered Score: Music in 1940s Melodrama and the Woman's Film
0 references·11 citing·37 second hop
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Cited by

  • 2016The Cambridge Companion to Film Music43 cited
  • 2016Materializing Film Music26 cited
  • 2019Sound and fury? Film score and the geopolitics of instrumental music24 cited
  • 2021Geography and film music: Musicology, gender, and the spatiality of instrumental music15 cited
  • 2014“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film13 cited
  • 2016Music in the Age of Anxiety: American Music in the Fifties10 cited
  • 2009Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches10 cited
  • 2013Women at the edge: encounters with the Cornish coast in British film and television5 cited
  • 2016The Composer and the Studio3 cited
  • 2016Film-Music Theory3 cited
  • 2015The Forgotten Soundtrack of Maoriland: Imagining the Nation Through Alfred Hill’s Songs for Rewi's Last Stand2 cited

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