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True and False: Heresy and Common Sense for the Actor
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  • 2016The Ontological Turn: An Anthropological Exposition178 cited
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  • 2009Living in Alternative and Inner Worlds: Early Signs of Acting Talent71 cited
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  • 2013Enabling performance: dyslexia, (dis)ability and ‘reasonable adjustment’20 cited
  • 2000I Hate Strasberg14 cited
  • 2008Appraisal of the Status on Research on Labor Economics in the Islamic Framework14 cited
  • 2004Beyond Technique: Performance and the Art of Social Work Practice12 cited
  • 2010Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile11 cited
  • 2018Real Theatre8 cited
  • 2001Acting, Representation and Role8 cited
  • 2016Actor training and emotions: Finding a balance8 cited
  • 2009The Challenge of Theorizing the Voice in Performance7 cited

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  • 2018Real Theatre : Essays in Experience6 cited