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Cited by

• 2005Ordered from theCatalogue: Pindar, Bacchylides, and Hesiodic genealogical poetry59 cited
• 1989Prosopographica Pindarica55 cited
• 2005From genealogy toCatalogue: the Hellenistic adaptation of the Hesiodic catalogue form48 cited
• 2005Myth and thepolisin Bacchylides' Eleventh Ode47 cited
• 2005Mestra at Athens: Hesiod fr. 43 and the poetics of panhellenism46 cited
• 2005Heracles in the HesiodicCatalogue of Women44 cited
• 2005The beginning and end of the Catalogue of Women and its relation to Hesiod43 cited
• 1989Two Transitions in Pindar39 cited
• 2018Simonides the poet intertextuality and reception37 cited
• 1976Pindar's eighth Nemean Ode35 cited
• 2005Ordering women in Hesiod'sCatalogue35 cited
• 1985Books and readers in the Greek world35 cited
• 1993Inventa Componere: Rhetorical Process and Poetic Composition in Pindar's Ninth Olympian Ode29 cited
• 1985Choral lyric in the fifth century29 cited
• 1976The TEPMA and the javelin in Pindar, Nemean vii 70–3, and Greek athletics24 cited