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A Theory Of Musical Genres. Two Applications
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  • 2016Follow the algorithm: An exploratory investigation of music on YouTube146 cited
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  • 2008Lettre ouverte sur les musiques « noires », « afro-américaines » et « européennes »47 cited
  • 2017Questions of Genre in Black Popular Music41 cited
  • 2012Include ‘em all?: Culture, politics and a local hardcore/punk scene in the Czech Republic36 cited
  • 2015Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83)35 cited
  • 2015Towards a Sign Typology of Music35 cited
  • 1999Browsing Music Spaces: Categories And The Musi- cal Mind25 cited
  • 2011The stuff of legend: examining media representations of the Brassens-Brel-Ferré myths22 cited
  • 2012Listening to ‘difficult albums’: specialist music fans and the popular avant-garde21 cited
  • 2010Musical genre as a gendered process: Authenticity in extreme metal20 cited
  • 2015Travelling Songs: on Popular Music Transfer and Translation20 cited
  • 2012The Music Industries: From Conception to Consumption19 cited
  • 2023The (Co)Evolution of Language and Music Under Human Self-Domestication

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19 cited
  • 2018Private words, public emotions: performing confession in indie music14 cited
  • 2008De l’actualité toujours renouvelée du « doute radical » sur ce qui est noir dans les musiques noires14 cited