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Everything is cinema: the working life of Jean-Luc Godard
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Cited by

  • 2019Slaves and Roman Comedy44 cited
  • 2010Birth (of the Image) of a Nation: Jean-Luc Godard in Mozambique24 cited
  • 2019The Cambridge Companion to Roman Comedy20 cited
  • 2013Indicting Truth: Jean-Luc Godard’s Sympathy for the Devil and 1960s documentary cinema19 cited
  • 2009The Altering Eye: Contemporary International Cinema18 cited
  • 2019Metatheatre15 cited
  • 2019Cruel Auteurism: Affective Digital Mediations toward Film-Composition14 cited
  • 2020Ovid on Screen13 cited
  • 2010Who Killed Brigitte Bardot?: Perspectives on the New Wave at Fifty10 cited
  • 2023Deconstructing fear in Indonesian cinema: Diachronic analysis of antagonist representations in half a century of Indonesian horror films 1970-20206 cited
  • 2017The art of advertising happiness: Agnès Varda’sLe Bonheurand Pop Art6 cited
  • 2010“Cinematic” Music: Analogies, Fallacies, and the Case of Debussy5 cited
  • 2010‘C’est le petit livre rouge / Qui fait que tout enfin bouge’: The case for revolutionary agency and terrorism in Jean-Luc Godard’s La Chinoise5 cited
  • 2013Hong Sang-soo and the film essay5 cited
  • 2014

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Nostalgia, Tinted Memories and Cinematic Historiography: On Otto Preminger’s Bonjour Tristesse (1958)
5 cited
  • 2019Roman Comedy in Early Modern Italy and France3 cited