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Cited by

• 2010More like Ourselves: Indigenous Capitalism through Tourism115 cited
• 2015Between Imagined Communities of Practice96 cited
• 2003The Theories and Practices of Visual Culture in Art Education68 cited
• 2001On the Generification of Culture: From Blow Fish to Melanesian61 cited
• 2005Image and instrumentality in a Xavante politics of existential recognition: The public outreach work of EtÉnhiritipa Pimentel Barbosa59 cited
• 2008Tales Told on the Tour: Mythic Representations of Slavery by Docents at North Carolina Plantation Museums55 cited
• 2003Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum48 cited
• 2014‘As Real As It Gets!’ Producing hyperviolence in mixed martial arts44 cited
• 2011Stepping Stones Across the Lihir Islands: Developing Cultural Heritage Management in the Context of a Gold-Mining Operation41 cited
• 2008Exotic Dancing: Performing Tribal and Regional Identities in East Malaysia's Cultural Villages37 cited
• 2006Exhibition, Difference, and the Logic of Culture36 cited
• 2010We Branded Ourselves Long Ago: Intangible Cultural Property and Commodification of Fijian Firewalking27 cited
• 2016Touring Pacific Cultures24 cited
• 2010