Female song tradition and the Akan of Ghana: the creative process in Nnwonkoro

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Musicology and Musical Analysis Arts and Performance Studies Diverse Musicological Studies

Abstract

Contents: Introduction The Akan song tradition of Nnwonkoro: a historical overview Motivations for the creative process Compositional conventions of Nnwonkoro songs Models of form and style The creative process and context Contemporary issues Appendices CD information Bibliography Index.

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References

1967The Social Construction of Reality 2020Social Construction of Reality 1954Innovation, The Basis of Cultural Change 1994Music and Language 1995African Rhythm: A Northern Ewe Perspective 1974Linguistic Models in Ethnomusicology

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2023On African Music 2011The Challenge of African Art Music 2018Music and Postcolonial Africa 2017Choral Music, Hybridity, and Postcolonial Consciousness in Ghana 2017METER, FEEL, AND PHRASING IN WEST AFRICAN BELL PATTERNS: THE EXAMPLE OF ASANTE KETE FROM GHANA 2009Ritual songs for girls’ nubility rites at Bono Takyiman, Ghana 2020Documenting distinctive features of ‘Keku’ dance ensemble of the Jukun nation of the sub-Saharan Africa

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