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Female song tradition and the Akan of Ghana: the creative process in Nnwonkoro
6 references·8 citing·37 second hop
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this work references cited by second hop

References

  • 1967The Social Construction of Reality13,820 cited
  • 2020Social Construction of Reality4,707 cited
  • 1954Innovation, The Basis of Cultural Change602 cited
  • 1994Music and Language394 cited
  • 1995African Rhythm: A Northern Ewe Perspective85 cited
  • 1974Linguistic Models in Ethnomusicology64 cited

Cited by

  • 2023On African Music26 cited
  • 2011The Challenge of African Art Music19 cited
  • 2014Erotic expressions in Adowa dance of the Asante: The stimulating gestures, costuming and dynamic drumming6 cited
  • 2018Music and Postcolonial Africa5 cited
  • 2017Choral Music, Hybridity, and Postcolonial Consciousness in Ghana4 cited
  • 2017METER, FEEL, AND PHRASING IN WEST AFRICAN BELL PATTERNS: THE EXAMPLE OF ASANTE KETE FROM GHANA3 cited
  • 2009Ritual songs for girls’ nubility rites at Bono Takyiman, Ghana3 cited
  • 2020Documenting distinctive features of ‘Keku’ dance ensemble of the Jukun nation of the sub-Saharan Africa3 cited

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