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Tiv Song: The Sociology of Art in a Classless Society
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Tiv Song: The Sociology of Art in a Classless Society (1983)Tiv Song: The Sociology of Art in a Class…On African Music (2023)On African MusicAfrican Musicology: Towards Defining and Setting Parameters of the Study of the Indigenous African Music (2014)African Musicology: Towards D…Aesthetic Inquiry and the Music of Africa (2005)Aesthetic Inquiry and the Mus…Variables impacting on the delivery of Music in the learning area Arts and Culture in South Africa (2004)Variables impacting on the de…They Want the Music but They Don't Want the People (2002)They Want the Music but They …Sopros da Amazônia: sobre as músicas das sociedades tupi-guarani (1999)Sopros da Amazônia: sobre as …Cajun music, cultural revival: Theorizing political action in popular music (1998)Cajun music, cultural revival…From Participant Observation to the Observation of Participation: The Emergence of Narrative Ethnography (1991)From Participant Observation …The New Grove Dictionary of Music and Musicians (1981)African Polyphony and Polyrhythm (1991)Representing African Music: Postcolonial Notes, Queries, Positions (2004)The Palm and the Pleiades: Initiation and Cosmology in Northwest Amazonia (1980)IMAGES OF NATURE AND SOCIETY IN AMAZONIAN ETHNOLOGY (1996)Música Indígena no Mercado: Sobre Demandas, Mensagens e Ruídos no (Des)Encontro Intermusical (2004)O Quarteto de Cordas no 8 (1944) de Villa-Lobos: neoclassicismo e invenção (2017)SOCIEDADE CONTRA O ESTADO (2017)Habermas and the public sphere (1992)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Chapter 8: From the Roots to the Shoots: A Hawaiian Case Study of Language Revitalization and Modes of Communication (2006)From the Roots to the Shoots: A Hawaiian Case Study of Language Revitalization and Modes of Communication (2006)Selections from the prison notebooks (2020)Toward a General Theory of Action (1951)A Grammar of Motives (1969)Mind and Nature: A Necessary Unity (1979)Contemplating Music: Challenges to Musicology (1989)The time of music: new meanings, new temporalities, new listening strategies (1989)Music as Discourse: Semiotic Adventures in Romantic Music (2008)Storytelling through Popular Music: Social Memory, Reconciliation, and Intergenerational Healing in Oromia/Ethiopia (2021)Decolonizing the Teaching and Learning of Indigenous Nguni Music Instruments in Higher Institutions of Learning in South Africa (2024)The Presentation of Self in Everyday Life. (1956)Truth and Method (1960)Collaborative Ethnography and Public Anthropology (2005)Observation participante ou participation observante? Usages et justifications de la notion de participation observante en sciences sociales (2007)Netnography (2015)The Interpretation of Cultures (2017)Research Methods in Education (2007)The impact of educators' skills and training on the delivery of music in the learning area Arts and Culture within two districts of the Gauteng province of South Africa (2008)Implementing music in an integrated arts curriculum for South African primary schools (2009)Illuminating the gap: An overview of classroom-based arts education research in Australia (2010)The New Meaning of Educational Change (2010)Democracy and Education (2015)The Invention of Africa: Gnosis, Philosophy and the Order of Knowledge (1989)The Post-Colonial Critic: Interviews, Strategies, Dialogues (1992)Culture and Imperialism. (1994)
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Cited by

  • 1991From Participant Observation to the Observation of Participation: The Emergence of Narrative Ethnography818 cited
  • 2014African Musicology: Towards Defining and Setting Parameters of the Study of the Indigenous African Music49 cited
  • 2023On African Music26 cited
  • 2004Variables impacting on the delivery of Music in the learning area Arts and Culture in South Africa17 cited
  • 1998Cajun music, cultural revival: Theorizing political action in popular music14 cited
  • 1999Sopros da Amazônia: sobre as músicas das sociedades tupi-guarani7 cited
  • 2002They Want the Music but They Don't Want the People5 cited
  • 2005Aesthetic Inquiry and the Music of Africa4 cited

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