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Nation, woman, representation : the sutured history of Devadasi and her dance
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Cited by

  • 2004KNOWING THE DANCER: EAST MEETS WEST20 cited
  • 2008Labels, Histories, Politics: Indian/South Asian Dance on the Global Stage18 cited
  • 2019Impersonations17 cited
  • 2009Post-Salvagism: Choreography and Its Discontents in the Occupied Palestinian Territories16 cited
  • 2004Dance, Pleasure and Indian Women as Multisensorial Subjects16 cited
  • 2004Issues in Dance Reconstruction:Karaṇasas Dance Texts in a Cross-cultural Context10 cited
  • 2012Adaptation of Bharatanatyam dance pedagogy for multicultural classrooms: questions and relevance in a North American university setting9 cited
  • 2015Dancing in Place: Mythopoetics and the Production of History in Kuchipudi8 cited
  • 2013Staging War: Performing Bharata Natyam in Colombo, Sri Lanka7 cited
  • 2019Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance7 cited
  • 2014FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA7 cited

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