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Give My Regards to Eighth Street: Collected Writings of Morton Feldman
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  • 2012Vocal performance in the seventeenth century56 cited
  • 2016Performance Practice in the Music of Steve Reich47 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2014The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age46 cited
  • 2014Records ruin the landscape: John Cage, the sixties, and sound recording37 cited
  • 2019Rethinking Reich33 cited
  • 2017Inventing Tradition: Webern's Piano Variations in Early Recordings30 cited
  • 2007Determining the indeterminate125 cited
  • 2017Tactile Paths: on and through Notation for Improvisers21 cited
  • 2013‘The Breathing of Sound Itself’: Notation and Temporality in Feldman's Music to 197018 cited
  • 2019Afro-Electric Counterpoint18 cited
  • 2019That’s All It Does13 cited
  • 2013It Must Mean Something: Narrative in Beckett'sMolloyand Feldman'sTriadic Memories12 cited
  • 2012Morton Feldman's Graphic Notation:Projectionsand Trajectories12 cited
  • 2012The performer and the composer10 cited

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2008
Jonathan Burrows and Matteo Fargion’s Both Sitting Duet (2002): A Discursive Choreomusical Collaboration
8 cited