SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A problem like Maria: gender and sexuality in the American musical
0 references·16 citing·39 second hop
A problem like Maria: gender and sexuality in the American musical (2003)A problem like Maria: gender and sexualit…Singing and Dancing in Widescreen (2022)Singing and Dancing in Widesc…The Wiz Redux; or, Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter (2019)The Wiz Redux; or, Why Queer …Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Making Light Haydn, Musical C…Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Making Light Haydn, Musical C…Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Recycled culture: the signifi…Music in the Age of Anxiety (2016)Music in the Age of AnxietyIntersections of Race, Gender, and Sexuality (2015)Intersections of Race, Gender…Lena Horne and Judy Garland: Divas, Desire, and Discipline in the Civil Rights Era (2014)Lena Horne and Judy Garland: …“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story (2014)“Queer for Uncle Sam”: Anita’…Acts of Gaiety (2012)Acts of Gaiety“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song (2012)“You’ve got that thing”: Cole…Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein (2008)Feminist Performance Criticis…"Defying Gravity": Queer Conventions in the Musical Wicked (2008)"Defying Gravity": Queer Conv…The Musical as Drama (2007)The Musical as DramaIn Defense of Pleasure: Musical Theatre History in the Liberal Arts [A Manifesto] (2007)In Defense of Pleasure: Music…“WE'LL ALWAYS BE BOSOM BUDDIES” (2006)“WE'LL ALWAYS BE BOSOM BUDDIE…Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies That Matter (2011)The Location of Culture (2012)Geographies of Learning: Theory and Practice, Activism and Performance (2001)Professing performance: theatre in the academy from philology to performativity (2004)Theatre histories: an introduction (2010)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)Tin Pan Alley Songs on Stage and Screen before World War II (2012)3.2. MARXISM AND LITERATURE (2006)Crip theory: cultural signs of queerness and disability (2007)Alto on a Broomstick: Voicing the Witch in the Musical Wicked (2010)Homeward Bound: American Families in the Cold War Era (2017)‘Why We Build the Wall’: Hegemony, memory and current events in Hadestown (2022)Biographical Dictionary of Afro-American and African Musicians (1983)Operetta: A Theatrical History (1985)“You Can’t Stop the Tweet”: Social Media and Networks of Participation in the Live Television Musical (2017)Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical (2017)Anti-Oedipus: Capitalism and Schizophrenia. (1978)Epistemology of the Closet (1990)Touching Feeling: Affect, Pedagogy, Performativity (2003)The Interpretation of Cultures (1974)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Contextualizing Competence: Language and LGBT-Based Competency in Health Care (2017)Reproducing Racial Fictions: Critical Meditations on (a) Lesbian Pregnancy (2019)The Presentation of Self in Everyday Life (2023)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Borderlands/La Frontera: The New Mestiza (2017)After Virtue: A Study in Moral Theory (1984)Gay New York: gender, urban culture, and the making of the gay male world, 1890-1940 (1994)Musicking: the meanings of performing and listening (1999)Divided by a Common Language (2019)The Cambridge Companion to Operetta (2019)The Cambridge Haydn Encyclopedia (2019)The sociology of philosophies: a global theory of intellectual change (1999)Musicking: The Meanings of Performing and Listening (2000)Audio-vision: sound on screen (1994)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)Exile and Pride : Disability, Queerness and Liberation (2009)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014Lena Horne and Judy Garland: Divas, Desire, and Discipline in the Civil Rights Era56 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
  • 2012Acts of Gaiety51 cited
  • 2007In Defense of Pleasure: Musical Theatre History in the Liberal Arts [A Manifesto]49 cited
  • 2007The Musical as Drama46 cited
  • 2015Intersections of Race, Gender, and Sexuality46 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism27 cited
  • 2008"Defying Gravity": Queer Conventions in the Musical Wicked21 cited
  • 2022Singing and Dancing in Widescreen17 cited
  • 2012“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song15 cited
  • 2006“WE'LL ALWAYS BE BOSOM BUDDIES”15 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2008Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein13 cited
  • 2019The Wiz Redux; or, Why Queer Black Feminist Spectatorship and Politically Engaged Popular Entertainment Continue to Matter7 cited
  • 2014

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story
6 cited
  • 2016Music in the Age of Anxiety5 cited