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Cited by

• 2006Performance and Identity in the Classical World143 cited
• 2015Costume in the Comedies of Aristophanes127 cited
• 2003Choral Identity in Greek Tragedy119 cited
• 2007The stagecraft and performance of Roman comedy100 cited
• 2009The Cambridge Introduction to Scenography90 cited
• 2014Understanding audience participation in an interactive theater performance81 cited
• 2011Show Business: Deixis in Fifth-Century Athenian Drama50 cited
• 2001The Masks of Greek Tragedy as Point of Departure for Modern Performance25 cited
• 2002Something to do with Demeter: Ritual and Performance in Aristophanes' Women at the Thesmophoria24 cited
• 2002The Face of Tragedy: From Theatrical Mask to Cinematic Close-up22 cited
• 2003Distant Ventriloquism: Vocal Mimesis, Agency and Identity in Ancient Greek Performance22 cited
• 2002“The world’s a circular stage”: Aeschylean tragedy through the eyes of Eva Palmer-Sikelianou20 cited
• 2002Rolling out the red carpet: Power ‘play’ in modern Greek versions of the Myth of Orestes from the 1960s and 1970s (I)19 cited
• 2010Postdramatic Greek Tragedy18 cited
• 2004