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The Compleat Conductor
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  • 1999"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style61 cited
  • 2006Undergraduate Instrumental Music Education Majors' Approaches to Score Study in Various Musical Contexts43 cited
  • 2014Gunther Schuller and the Challenge of Sonny Rollins:41 cited
  • 2014Effects of Internal and External Focus of Attention on Novices’ Rehearsal Evaluations17 cited
  • 2014On Musical Performance as Play12 cited
  • 2008Sharing the podium: exploring the process of peer learning in professional conducting12 cited
  • 2016Effects of Conductor Baton Use on Band and Choral Musicians’ Perceptions of Conductor Expressivity and Clarity8 cited
  • 2016Effect of virtual reality exposure and aural stimuli on eye contact, directional focus, and focus of attention of novice wind band conductors8 cited
  • 2015What Is Conducting? Signs, Principles, and Problems5 cited
  • 2023Estado da Arte: a produção científica brasileira nos primeiros 20 anos do séc. XXI no campo da regência4 cited
  • 2016Effects of baton usage on college musicians’ perceptions of ensemble performance4 cited
  • 2000Clouds or fog? Demystifying meter, harmony, and structure in Debussy'sNuages3 cited
  • 2012Gesture as Communication: The Art of Carlos Kleiber3 cited

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2025
Conductors’ views on individual practice activities
2 cited
  • 2008A Discussion of Gunther Schuller's Approach to Conducting: Implications for the Instrumental Music Classroom2 cited
  • 2007Glenn Gould and Richard Wagner2 cited