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Jacques Offenbach and the Paris of his time
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Jacques Offenbach and the Paris of his time (2002)Jacques Offenbach and the Paris of his ti…The Cambridge Companion to Operetta (2019)The Cambridge Companion to Op…Nineteenth-Century Opera and the Scientific Imagination (2019)Nineteenth-Century Opera and …Going Global: The International Spread of Viennese Silver-Age Operetta (2019)Going Global: The Internation…Globalizing Operetta before the First World War (2017)Globalizing Operetta before t…Parody of Greco-Roman Myth in Offenbach’s Orfée aux enfers and La belle Hélène (2013)Parody of Greco-Roman Myth in…Caroline Carvalho and nineteenth-century coloratura (2011)Caroline Carvalho and ninetee…Classic staging: Pauline Viardot and the 1859Orphéerevival (2010)Classic staging: Pauline Viar…A Theory of Parody: The Teachings of Twentieth-Century Art Forms (1985)Palimpsests: Literature in the Second Degree (1997)Victorian culture and classical antiquity: art, opera, fiction, and the proclamation of modernity (2012)Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The Audible Past (2003)‘As a stranger give it welcome’: musical meanings in 1830s London (2013)Paris, Capital of Modernity (2004)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)The musical topic: hunt, military, and pastoral (2007)Against Interpretation and Other Essays (1966)The New Grove dictionary of music and musicians (2001)Beyond Exoticism (2007)German Operetta on Broadway and in the West End, 1900–1940 (2019)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Offenbach Performance in Budapest, 1920–1956 (2022)Imperial Leather: Race, Gender and Sexuality in the Colonial Contest (1997)When did globalisation begin? (2002)Colonial masculinity (2017)A Huge Revolution of Theatrical Commerce (2020)Grundrisse: Foundations of the Critique of Political Economy (2002)Oxford Dictionary of National Biography (2004)
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Cited by

  • 2019The Cambridge Companion to Operetta44 cited
  • 2017Globalizing Operetta before the First World War28 cited
  • 2013Parody of Greco-Roman Myth in Offenbach’s Orfée aux enfers and La belle Hélène19 cited
  • 2010Classic staging: Pauline Viardot and the 1859Orphéerevival9 cited
  • 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
  • 2011Caroline Carvalho and nineteenth-century coloratura5 cited
  • 2019Going Global: The International Spread of Viennese Silver-Age Operetta5 cited

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