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Cognition in the Globe : attention and memory in Shakespeare's theatre
0 references·16 citing·41 second hop
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Cited by

  • 2011Cognitive Ecology as a Framework for Shakespearean Studies123 cited
  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2015Evolution, Cognition, and Performance56 cited
  • 2019Probability Designs47 cited
  • 2015Remembering as Public Practice: Wittgenstein, memory, and distributed cognitive ecologies40 cited
  • 2012Rehearsal: The Pleasures of the Flesh32 cited
  • 2015Fission-Fusion Cognition in Shakespearean Drama: The Case for Julius Caesar31 cited
  • 2019Experience Is Better than Knowledge: Premodern Ocean Science and the Blue Humanities29 cited
  • 2018OP PC or PAR RIP?25 cited
  • 2013Ophelia's Intertheatricality, or, How Performance Is History20 cited
  • 2017Shakespeare Performance Studies20 cited
  • 2017Original Gesture: Hand Eloquence on the Early Modern Stage14 cited
  • 2020Personal Memory, the Scaffolded Mind, and Cognitive Change in the Neolithic13 cited
  • 2020Shakespeare, Technicity, Theatre12 cited
  • 2018Gaming the Stage9 cited

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2019
Theatre and Embodiment
8 cited