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Cited by

• 2005The South Kensington Music Schools and the Development of the British Conservatoire in the Late Nineteenth Century73 cited
• 2018The Cambridge History of Ireland47 cited
• 2013Mozart's Requiem: reception, work, completion40 cited
• 2011Canonizing remembrance: music for Armistice Day at the BBC, 1922–723 cited
• 2019Challenging History's Memory: C. V. Stanford and the Feis Ceoil22 cited
• 2001The Cambridge History of Christianity22 cited
• 2001Catholic Christianity in France from the Restoration to the separation of church and state, 1815–190520 cited
• 2005Stage-Irish, or the National in Irish Opera, 1780-192518 cited
• 2019The Parrys andPrometheus Unbound14 cited
• 2001Christian missions, antislavery and the claims of humanity, c.1813–18738 cited
• 2001Ethiopianism and the roots of modern African Christianity6 cited
• 2019The Royal College of Music and its Contexts: An Artistic and Social History5 cited
• 2019Music and Victorian Liberalism4 cited
• 2005Henry Wood, the ?Proms,? and National Identity in Music, 1895-19044 cited