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Cited by

• 2019Enacting Musical Time68 cited
• 2015Formal Structures in Post-Tonal Music43 cited
• 2021Segmentation, Phrasing, and Meter in Hip-Hop Music31 cited
• 2019Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid24 cited
• 2019Analyzing Modular Smoothness in Video Game Music19 cited
• 2015Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching16 cited
• 2020Portmantonality and Babbitt’s Poetics ofDouble Entendre12 cited
• 2020Performing Knowledge11 cited
• 2020Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)6 cited
• 2017Between Freedom and Control6 cited
• 2020Diversification and post-regionalism in North American hip-hop flow6 cited
• 2022Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 105 cited
• 2019An Extension of the Minimally Divergent Contour Network: Considering Nonconsecutive Repeated Contour Pitches5 cited
• 2021Melody on the Threshold in Spectral Music5 cited
• 2019Harmonic Perception and Voice Leading Spaces of Set Classes Related by Unordered Interval Classes