The Objective Eye: Color, Form, and Reality in the Theory of Art

John Hyman

105 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Art, Aesthetics, and Perception Visual Culture and Art Theory Ethics, Aesthetics, and Art

Abstract

'The Objective Eye' explores the fundamental concepts we use constantly in our innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the meta-physics of colour to Renaissance perspective.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 105 citations exist upstream.

Cited by

2016Rationality, perception, and the all-seeing eye 2017Conventions of Viewpoint Coherence in Film 2017Mind, rationality, and cognition: An interdisciplinary debate 2014Pictures Have Propositional Content 2016The Look of Lyric: Greek Song and the Visual 2014Introduction: Varieties of Iconicity 2008Phenomenology of the human person 2024The Profile of Imagining

Imported from OpenAlex (CC0) — nothing here is generated.