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To Hunt or to Paint: Animals and Art in the Upper Palaeolithic
0 references·14 citing·49 second hop
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  • 1995Of Power and Menace: Sepik Art as an Affecting Presence38 cited
  • 2015The material dimensions of signification: Rethinking the nature and emergence of semiosis in the debate on human origins32 cited
  • 1991Ecological Interpretations of Palaeolithic Art.31 cited
  • 2018The Power of Ritual in Prehistory: Secret Societies and Origins of Social Complexity28 cited
  • 2011A Cognitive Approach to the Earliest Art21 cited
  • 1991Trends in the Hunter-Gatherer Rock Art of Western Europe and Australia.8 cited
  • 2012Rock Art and Seascapes8 cited
  • 2021Symbols and Material Signs in the Debate on Human Origins8 cited
  • 2023Discussion: “An Upper Palaeolithic Proto-writing System and Phenological Calendar” by Bennett Bacon et al. (2023)7 cited
  • 2007Images of animality: hybrid bodies and mimesis in early prehistoric art7 cited
  • 2019El arte rupestre de la localidad viuda quenzana revisitado (Santa cruz, Patagonia Argentina): Nuevas evidencias y primeros resultados de análisis5 cited
  • 2005Extending the Bounded Rationality Model: The Distributed Cognition Approach2 cited
  • 2016Estudio de las representaciones gráficas de la Región Pampeana desde un enfoque semiótico1 cited
  • 2013Learning from Arts and Crafts in the Pleistocene

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