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Cited by

• 2020Changing the channel: Digitization and the rise of “middle tail” strategies149 cited
• 2022The economics of movies (revisited): A survey of recent literature69 cited
• 2014The Politics of Content Aggregation65 cited
• 2015“Write a Word, Get a Third”60 cited
• 2020What does it take to survive in a digital world? Resource-based theory and strategic change in the TV industry59 cited
• 2022The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming52 cited
• 2014The Roles of Cultural Elements in International Retailing of Cultural Products: An Application to the Motion Picture Industry50 cited
• 2016Even the losers get lucky sometimes: New products and the evolution of music quality since Napster46 cited
• 2015The Effects of Shared Consumption on Product Life Cycles and Advertising Effectiveness: The Case of the Motion Picture Market44 cited
• 2022Winner Takes All? The Blockbuster Effect on Crowdfunding Platforms42 cited
• 2021Media Disrupted37 cited
• 2019Uncertainty kills the long tail: demand concentration in peer-to-peer marketplaces34 cited
• 2019In Search of Behavioral Opportunities From Misattributions of Luck32 cited
• 2018Online group influence and digital product consumption