SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Analyzing Performance: Theater, Dance, and Film
0 references·8 citing·36 second hop
Analyzing Performance: Theater, Dance, and Film (2003)Analyzing Performance: Theater, Dance, an…Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Recycled culture: the signifi…Towards a Framework of a Semiotics of Dance (2013)Towards a Framework of a Semi…Using artistic form for aesthetic organizational inquiry: Rimini Protokoll constructs Daimler's Annual General Meeting as a theatre play (2012)Using artistic form for aesth…The Mirror of Performance: Kinaesthetics, Subjectivity, and the Body in Film, Television, and Virtual Worlds (2012)The Mirror of Performance: Ki…Porn Style? Space and Time in Live Opera Videos (2010)Porn Style? Space and Time in…The Challenge of Theorizing the Voice in Performance (2009)The Challenge of Theorizing t…Liminality, transformation and communitas : Afrikaans identities as viewed through the lens of South African Arts Festivals: 1995 – 2006 (2009)Liminality, transformation an…Theatre Squared: Theatre History in the Age of Media (2007)Theatre Squared: Theatre Hist…The Production of Space (1992)The Forms of Capital (2002)A hip-hopera in Cape Town: the aesthetics, and politics of performing ‘Afrikaaps’ (2017)Young white Afrikaans speakers in South Africa: A case of liminal identity? (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Music—Drastic or Gnostic? (2004)Liveness: performance in a mediatized culture (2008)Envisioning Dance on Film and Video (2013)Adaptation and Opera (2017)As Seen on TV: Putting the NBC Opera on Stage (2018)Up Close and Personal: Opera and Television Broadcasting in the 1950s (2019)Television: Technology and Cultural Form (1974)Unmarked: The Politics of Performance (1994)Screening the RSC stage: the 2014Live from Stratford-upon-Avoncinema broadcasts (2015)“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast (2017)Shakespeare, Spectatorship and the Technologies of Performance (2020)The Presentation of Self in Everyday Life. (1956)From Ritual to Theatre: The Human Seriousness of Play (1983)Auditor Face‐Work at the Annual General Meeting (2017)Performing the Digital : Performance Studies and Performances in Digital Cultures (2017)Impacts of urban living lab (ULL) on learning to design inclusive, sustainable, and climate-resilient urban environments (2022)The Presentation of Self in Everyday Life (2023)Phenomenology of Perception. (1964)The visible and the invisible (1968)Image-Music-Text (1977)Course in General Linguistics (1960)Phenomenology of Perception (1982)Phenomenology of Perception (2013)Paradigms of Communication in Performance and Dance Studies (2015)Makna Tari Kontemporer Barangan Karya Otniel Tasman: Suatu Tinjauan Semiotika Tari (2022)Performance Studies: An Introduction (2003)Funnypeculiar: Lucille Ball and the vaudeville heritage of early American television comedy (2016)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Speech Genres and Other Late Essays (1986)Postmodernism, or, The cultural logic of late capitalism (1991)Singing Utopia (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012The Mirror of Performance: Kinaesthetics, Subjectivity, and the Body in Film, Television, and Virtual Worlds49 cited
  • 2010Porn Style? Space and Time in Live Opera Videos39 cited
  • 2012Using artistic form for aesthetic organizational inquiry: Rimini Protokoll constructs Daimler's Annual General Meeting as a theatre play36 cited
  • 2007Theatre Squared: Theatre History in the Age of Media34 cited
  • 2013Towards a Framework of a Semiotics of Dance27 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2009Liminality, transformation and communitas : Afrikaans identities as viewed through the lens of South African Arts Festivals: 1995 – 200615 cited
  • 2009The Challenge of Theorizing the Voice in Performance7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work