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Cited by

• 2016The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square47 cited
• 2011Songs in Their Heads: Music and Its Meaning in Children’s Lives (2nd ed.).39 cited
• 2010‘New face of Serbia’ at the Eurovision Song Contest: international media spectacle and national identity125 cited
• 2017How to Protect Traditional Folk Music? Some Reflections upon Traditional Knowledge and Copyright Law18 cited
• 2021The Rosalía Polemic: Defining Genre Boundaries and Legitimacy in Flamenco17 cited
• 2015Standardizing and Exoticizing the Main Jo’oh : The Tourist Gaze and Identity Politics in the Music and Dance of the Indigenous Mah Meri of Malaysia15 cited
• 2009Riverdance : Representing Irish Traditional Music11 cited
• 2016Bi-musicality and dialogical musicality: Influences of Javanese gamelan participation on Western instrumental learning9 cited
• 2013Old, New, Borrowed … : Hybridity in the Okinawan Guitarscape5 cited
• 2012Hmong music in northern Vietnam : identity, tradition and modernity5 cited
• 2011Recording the Vitamins of African Music3 cited
• 2011World music, authenticity and Africa: Reading Cesaria Evora and Ali Farka Toure3 cited
• 2012Hidden learning and instrumental and vocal development in a university music department