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A Theory of Musical Semiotics
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  • 2013Action and Agency Revisited235 cited
  • 2008Music as Discourse79 cited
  • 2006Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music47 cited
  • 2006Semiotics, Pragmatics, and Metaphor in Film Music Analysis46 cited
  • 2015The Semantics of Musical Topoi39 cited
  • 2002Thematic and motivic analysis34 cited
  • 2007Music as a metaphor for organizational change34 cited
  • 2007On Topics Today32 cited
  • 2001The Aesthetics of Duke Ellington's Suites: The Case of "Togo Brava"29 cited
  • 1999An analysis of Neil Young's ‘Powderfinger’ based on Mark Johnson's image schemata26 cited
  • 2015Consequences of the affective turn: Exploring music practices from without and within21 cited
  • 2023Translating musical meaning19 cited
  • 2018A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena17 cited
  • 2017Dark Precursor: Deleuze and Artistic Research17 cited
  • 2011The Common Basis of Narrative and Music: Somatic, Social, and Affective Foundations15 cited

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  • 2018Música, ritual y sacrificio: Una nueva estética afrocubana en Ebbó, ópera-oratorio de Louis Aguirre14 cited