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Shakespeare's Verse: Iambic Pentameter and the Poet's Idiosyncrasies
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Shakespeare's Verse: Iambic Pentameter and the Poet's Idiosyncrasies (1987)Shakespeare's Verse: Iambic Pentameter an…Shakespeare and the Versification of English Drama, 1561–1642 (2015)Shakespeare and the Versifica…Ants Oras: Did He Know Russian “Formalists”? (2015)Ants Oras: Did He Know Russia…A study on Shakespeare’s verse in its historical context (Marina Tarlinskaja, Shakespeare and the Versification of English Drama, 1561–1642, Ashgate, 2014) (2015)A study on Shakespeare’s vers…Shakespeare After All?: The Authorship ofTitus Andronicus4.1 Reconsidered (2014)Shakespeare After All?: The A…Incomplete Shakespeare: Or, Denying Coauthorship in 1 Henry VI (2007)Incomplete Shakespeare: Or, D…A Computational Approach to Style in American Poetry (2007)A Computational Approach to S…Poetic rhythm: Structure and performance — An empirical study in cognitive poetics (2001)Poetic rhythm: Structure and …Gender, Hunger, Horror: The History and Significance of The Bloody Banquet (2001)Gender, Hunger, Horror: The H…The role of phonological phrasing in sung and chanted verse (1996)The role of phonological phra…INTRODUCTION: RHYTHM AND METER (1989)INTRODUCTION: RHYTHM AND METERVision and Resonance: Two Senses of Poetic Form (1976)Rhyme's Reason: A Guide to English Verse (1982)In Defence of Rhetoric (1989)The Riverside Shakespeare (1999)The Oxford English Dictionary Online (2004)The three parts of Henry VI (2009)Shakespeare and Paradigms of Early Modern Authorship (2012)Arden of Faversham,Richard Burbage, and the Early Shakespeare Canon (2020)Theory of Literature (1948)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Reconsidering Reuven Tsur’s Poetic Rhythm: Structure and Performance—An Empirical Study in Cognitive Poetics (2004)Stress-timing and syllable-timing reanalyzed (1983)Phonology and Syntax: The Relation between Sound and Structure (1984)On derived domains in sentence phonology (1986)The phonology of Classical Greek meter (2000)The metrical organization of Classical Sanskrit verse (2007)Prosodic Structure as a Parallel to Musical Structure (2015)Macroanalysis (2013)Shakespeare and the Book Trade (2013)Middle English Open Syllable Lengthening (MEOSL) or Middle English Compensatory Lengthening (MECL)? (2020)Re-making it new: contemporary American poetry and the modernist tradition (1988)Variation across Speech and Writing (1988)Formality of Language: definition, measurement and behavioral determinants (1999)A computational analysis of poetic style (2015)Exploring Shakespeare's Sonnets with SPARSAR (2016)(Neuro-)Cognitive poetics and computational stylistics (2018)The complete poetical works of John Milton (1852)The Making of Homeric Verse. The Collected Papers of Milman Parry (1971)The Making of Homeric Verse: The Collected Papers of Milman Parry (1972)The Profession of Dramatist in Shakespeare’s Time, 1590-1642 (1969)Shakespeare and Ovid (1995)Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama (1997)The Language and Style of Early Shakespeare (2020)On prosodic structure and its relation to syntactic structure (1980)A Generative Theory of Tonal Music (1984)Poetic meter and the arboreal grid (1991)Guillaume Apollinaire, Calligrammes (1918) (1993)The Rhythms of English Poetry (2014)Parallel Prose and Spatiotemporal Freedom: A Case for Creative Syntax in “Wucheng fu” (2015)Powers of Horror: An Essay on Abjection (1984)Between Men: English Literature and Male Homosocial Desire. (1985)Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women (1989)
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Cited by

  • 1996The role of phonological phrasing in sung and chanted verse73 cited
  • 2007A Computational Approach to Style in American Poetry54 cited
  • 2007Incomplete Shakespeare: Or, Denying Coauthorship in 1 Henry VI51 cited
  • 2015Shakespeare and the Versification of English Drama, 1561–164233 cited
  • 2014Shakespeare After All?: The Authorship ofTitus Andronicus4.1 Reconsidered32 cited
  • 2001Poetic rhythm: Structure and performance — An empirical study in cognitive poetics32 cited
  • 1989INTRODUCTION: RHYTHM AND METER28 cited
  • 2001Gender, Hunger, Horror: The History and Significance of The Bloody Banquet6 cited
  • 2015A study on Shakespeare’s verse in its historical context (Marina Tarlinskaja, Shakespeare and the Versification of English Drama, 1561–1642, Ashgate, 2014)4 cited
  • 2015Ants Oras: Did He Know Russian “Formalists”?2 cited

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