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Carved in stone: Experimental criteria for identifying Paleolithic bas-relief production techniques and sculptors’ expertise
16 references·0 citing·47 second hop
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References

  • 1977The Measurement of Observer Agreement for Categorical Data81,000 cited
  • 2017Redefine statistical significance2,771 cited
  • 1996EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints2,136 cited
  • 2007Giftedness and evidence for reproducibly superior performance: an account based on the expert performance framework282 cited
  • 2012Human–climate interaction during the Early Upper Paleolithic: testing the hypothesis of an adaptive shift between the Proto-Aurignacian and the Early Aurignacian184 cited
  • 1976Linear-Circular Correlation Coefficients and Rhythmometry159 cited
  • 2007The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art97 cited
  • 1995Reflections on North American Pacific Coast prehistory64 cited
  • 1978Les manifestations graphiques aurignaciennes sur support rocheux des environs des Eyzies (Dordogne)60 cited
  • 1999La gravure dans l’art mobilier magdalénien49 cited
  • 2012Taphonomy Or Paint Recipe: In situ portable x-ray fluorescence analysis of two anthropomorphic motifs from the Woronora Plateau, New South Wales49 cited
  • 2015Reflections on the Identities and Roles of the Artists in European Paleolithic Societies47 cited
  • 2020Motion and Gesture: Analysing Artistic Skills in Palaeolithic Art24 cited
  • 2017Methodological contribution to the integrated study of European Palaeolithic rock art: The issue of the audience and the perceptibility of Roc-aux-Sorciers rock art (Angles-sur-l'Anglin, France)

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21 cited
  • 2015Contribution of 3D technologies to the analysis of form in late palaeolithic rock carvings: The case of the Roc-aux-Sorciers rock-shelter (Angles-sur-l’Anglin, France)20 cited
  • 2014An Experimental Study of Percussion Technologies in the Minusinsk Basin: Percussion and Tool Types113 cited
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