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Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art
16 references·0 citing·45 second hop
Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art (2026)Auditory Affordances of Game Pass Shelter…Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)Embers of society: Firelight …Let’s Dance Together: Synchrony, Shared Intentionality and Cooperation (2013)Let’s Dance Together: Synchro…Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain) (2012)Acoustics and Levantine rock …Secret San of the Drakensberg and their rock art legacy (2009)Secret San of the Drakensberg…Therianthropes in San Rock Art (2002)Therianthropes in San Rock ArtSeeing is deceiving: Rock art and the non-visual (2001)Seeing is deceiving: Rock art…Tricksters and Trancers (1999)Tricksters and TrancersQuanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research (1998)Quanto?: The Issue of 'Many M…Sound and rock art (1993)Sound and rock artHunters and Herders of Southern Africa (1992)Hunters and Herders of Southe…Shamanism and Rock Paintings: Aspects of the Use of Rock Art in the South-Western Cape, South Africa (1991)Shamanism and Rock Paintings:…La dimension sonore des grottes ornées (1988)La dimension sonore des grott…The Last Testament of the Southern San (1986)The Last Testament of the Sou…A First Generation Descendant of the Transkei San (1986)A First Generation Descendant…Eland Hunting Rituals among Northern and Southern San Groups: Striking Similarities (1978)Eland Hunting Rituals among N…The Medicine Dance of the ! Kung Bushmen (1969)The Medicine Dance of the ! K…THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)Institutions, Institutional Change and Economic Performance (1990)Institutions, Institutional Change and Economic Performance (1991)Moving beyond assumptions of deviance: The reconceptualization and measurement of workplace gossip. (2016)Breaking Bread: the Functions of Social Eating (2017)Cooperation and the evolution of hunter-gatherer storytelling (2017)The Savage Mind (1962)New perspectives in archaeology (1968)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Patterns in the distribution, site structure and assemblage composition of Hadza kill-butchering sites (1992)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Links between Protected Areas, Faiths, and Sacred Natural Sites (2009)The Strategy of Conflict (1960)Inclusion of Other in the Self Scale and the structure of interpersonal closeness. (1992)Understanding and sharing intentions: The origins of cultural cognition (2005)Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination (2014)The Ties That Bind Us (2014)To be in synchrony or not? A meta-analysis of synchrony's effects on behavior, perception, cognition and affect (2017)Iconology (1986)The Ideology of the Aesthetic (1988)Downcast eyes: the denigration of vision in twentieth-century French thought (1994)ARCHAEOLOGY OF THE BODY (2005)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Sharing, Talking, and Giving: Relief of Social Tensions among !Kung Bushmen (1961)Prestige and reproductive success in man (1984)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Specimens of Bushman Folklore (1912)The mountain Bushmen of Basutoland (1962)Ethnography and Iconography: Aspects of Southern San Thought and Art (1980)The power of a place in understanding southern San rock engravings (1988)Modelling the Production and Consumption of Rock Art (1995)Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)Images of Power: Understanding Bushman Rock Art (1990)Through the Veil: San Rock Paintings and the Rock Face (1990)A Social History of Dying (2007)Negotiating Yanyuwa Rock Art (2016)Archaeological Evidence for the Emergence of Language, Symbolism, and Music–An Alternative Multidisciplinary Perspective (2003)Vision, Media, Noise and the Percolation of Time (2006)Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture (2013)The Human Symbolic Revolution: A Darwinian Account (1995)The Return of the Native (2003)The discovery of fire by humans: a long and convoluted process (2016)War and peace among Kalahari San (2014)Wild Voices: Mimicry, Reversal, Metaphor, and the Emergence of Language (2017)
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References

  • 2013Let’s Dance Together: Synchrony, Shared Intentionality and Cooperation556 cited
  • 2014Embers of society: Firelight talk among the Ju/’hoansi Bushmen485 cited
  • 1992Hunters and Herders of Southern Africa349 cited
  • 1969The Medicine Dance of the ! Kung Bushmen178 cited
  • 2001Seeing is deceiving: Rock art and the non-visual111 cited
  • 1988La dimension sonore des grottes ornées109 cited
  • 1978Eland Hunting Rituals among Northern and Southern San Groups: Striking Similarities94 cited
  • 1998Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research90 cited
  • 1999Tricksters and Trancers86 cited
  • 1986A First Generation Descendant of the Transkei San78 cited
  • 1986The Last Testament of the Southern San63 cited
  • 2012Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)61 cited
  • 2002Therianthropes in San Rock Art59 cited
  • 2009Secret San of the Drakensberg and their rock art legacy59 cited
  • 1993Sound and rock art46 cited
  • 1991Shamanism and Rock Paintings: Aspects of the Use of Rock Art in the South-Western Cape, South Africa

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