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Visual Structures and Verbal Representation in the Comedia de Calisto y Melibea (Burgos, 1499?)
13 references·2 citing·28 second hop
Visual Structures and Verbal Representation in the Comedia de Calisto y Melibea (Burgos, 1499?) (1995)Visual Structures and Verbal Representati…History and Fiction as Modes of Comprehension (2022)History and Fiction as Modes …Masking the Blow: The Scene of Representation in Late Prehistoric Egyptian Art (1994)Masking the Blow: The Scene o…Image on the edge: the margins of medieval art (1992)Image on the edge: the margin…The book of memory: a study of memory in medieval culture (1991)The book of memory: a study o…Tragicomedy and novelistic discourse in Celestina (1990)Tragicomedy and novelistic di…Timely reading: between exegesis and interpretation (1989)Timely reading: between exege…Texts, Printing, Readings (1989)Texts, Printing, ReadingsLITERACY AND CULTURE IN EARLY MODERN CASTILE (1989)LITERACY AND CULTURE IN EARLY…The Spread of Lay Literacy in Late Medieval Castile (1985)The Spread of Lay Literacy in…Narrative Fiction: Contemporary Poetics (1984)Narrative Fiction: Contempora…Orality and Literacy: The Technologizing of the Word (1983)Orality and Literacy: The Tec…Images of love and death in late Medieval and Renaissance art (1976)Images of love and death in l…The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett (1975)The Implied Reader: Patterns …Gestures as a Transnational Language through Woodcuts: Celestina’s Title Pages (2015)Gestures as a Transnational L…A Possible Influence on the Burgos 1499 Celestina Illustrations: The German 1486 Translation of Terence's Eunuchus (2010)A Possible Influence on the B…Progress and poverty in early modern Europe (2003)Quantifying quantitative literacy : Age heaping and the history of human capital (2006)Book production and the onset of modern economic growth (2008)Grand Conversations: An Exploration of Meaning Construction in Literature Study Groups (1989)Psychonarratology foundations for the empirical study of literary response (2003)The Cambridge Introduction to Narrative (2020)Building Process Theory with Narrative: From Description to Explanation (1999)Using Narrative in Social Research (2005)Why we read fiction: theory of mind and the novel (2006)Humanist views on the study of poetry in the early Italian Renaissance† (1984)Byzantine criticism and the uses of literature (2005)FROM THE TWELFTH CENTURY TOc. 1450 (2005)Expanding middle-range theory (1995)What does Peirce's sign theory have to say to art history? (2003)Bovines in Egyptian Predynastic and Early Dynastic Iconography (2006)Children's Emergent Reading of Favorite Storybooks: A Developmental Study (1985)The Project of Rationalization: A Critique and Reappraisal of Neo-Institutionalism in Organization Studies (2000)Signals in Social Supernets (2007)Reading and Ambition: M. Carey Thomas and Female Heroism (1993)Culture and the Practice of Business History (1995)Treason and the State (2002)Greatness Engendered (2018)A Poetics of Plot for the Twenty-First Century: Theorizing Unruly Narratives (2019)The Cambridge History of Medieval English Literature (1999)Empire and Memory (2005)A Sociology of Quantification (2008)Books to be practiced: Memory, the power of the visual, and the success of accounting (2008)The Cambridge History of the Book in Britain (2008)
this work references cited by second hop

References

  • 1984Narrative Fiction: Contemporary Poetics1,585 cited
  • 1983Orality and Literacy: The Technologizing of the Word1,105 cited
  • 1991The book of memory: a study of memory in medieval culture947 cited
  • 1975The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett925 cited
  • 1992Image on the edge: the margins of medieval art534 cited
  • 1989LITERACY AND CULTURE IN EARLY MODERN CASTILE254 cited
  • 1989Texts, Printing, Readings100 cited
  • 1985The Spread of Lay Literacy in Late Medieval Castile92 cited
  • 1994Masking the Blow: The Scene of Representation in Late Prehistoric Egyptian Art45 cited
  • 2022History and Fiction as Modes of Comprehension45 cited
  • 1990Tragicomedy and novelistic discourse in Celestina23 cited
  • 1989Timely reading: between exegesis and interpretation19 cited
  • 1976Images of love and death in late Medieval and Renaissance art5 cited

Cited by

  • 2010A Possible Influence on the Burgos 1499 Celestina Illustrations: The German 1486 Translation of Terence's Eunuchus20 cited
  • 2015Gestures as a Transnational Language through Woodcuts: Celestina’s Title Pages19 cited

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