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ROMANCE, INSULARITY AND REPRESENTATION Wong Kar-wai's In the Mood for Love and Hong Kong Cinema
5 references·0 citing·11 second hop
ROMANCE, INSULARITY AND REPRESENTATION Wong Kar-wai's In the Mood for Love and Hong Kong Cinema (2007)ROMANCE, INSULARITY AND REPRESENTATION Wo…Wong Kar-wai (2005)Wong Kar-waiWong Kar-Wai (2005)Wong Kar-WaiDesert islands and other texts, 1953-1974 (2004)Desert islands and other text…A modern history of Hong Kong (2004)A modern history of Hong KongWong Kar-wai’s Happy Together (2003)Wong Kar-wai’s Happy TogetherFilm Festivals: Culture, People, and Power on the Global Screen (2011)Evaluating the psychometric properties and factor structure of the general self-efficacy scale in China (2020)Sticky Power (2022)Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival1 (2007)Projections of Diasporic Sensibilities through Travel: Wong Kar Wai in/and My Blueberry Nights (2015)“Pity about the furniture”: Violence, Wong Kar‐wai Style (2015)Wong Kar‐wai: The Optics of the Virtual (2015)Studying Islands: On Whose Terms? Some Epistemological and Methodological Challenges to the Pursuit of Island Studies (2008)Foreword (2011)Children who carry stones in their pockets: on autotelic material practices in everyday life (2013)
this work references cited by second hop

References

  • 2004Desert islands and other texts, 1953-1974876 cited
  • 2004A modern history of Hong Kong370 cited
  • 2005Wong Kar-Wai91 cited
  • 2003Wong Kar-wai’s Happy Together26 cited
  • 2005Wong Kar-wai10 cited

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