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Beyond the Artifact: Native Art as Performance
16 references·0 citing·30 second hop
Beyond the Artifact: Native Art as Performance (1992)Beyond the Artifact: Native Art as Perfor…Art as Experience (1934) (2026)Art as Experience (1934)The Social Organization and the Secret Societies of the Kwakiutl Indians (2014)The Social Organization and t…Black Elk speaks: being the life story of a holy man of the Oglala Sioux (2009)Black Elk speaks: being the l…The postmodern condition (1994)The postmodern conditionThe Object of Performance: The American Avant-Garde since 1970 (1990)The Object of Performance: Th…A Distant Mirror: The Calamitous Fourteenth Century (1989)A Distant Mirror: The Calamit…Bringing Home Animals: Religious Ideology and Mode of Production of the Mistassini Cree Hunters (1985)Bringing Home Animals: Religi…"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern (1985)"Primitivism" in 20th Century…The Postmodern Condition: A Report on Knowledge (1984)The Postmodern Condition: A R…From ritual to theatre : the human seriousness of play (1982)From ritual to theatre : the …Sculpture in the Expanded Field (1979)Sculpture in the Expanded Fie…African Art in Motion (1979)African Art in MotionThe Ritual Process: Structure and Anti-Structure (1976)The Ritual Process: Structure…Dilthey, philosopher of the human studies (1975)Dilthey, philosopher of the h…European Vision and the South Pacific, 1768-1850. A Study in the History of Art and Ideas (1961)European Vision and the South…Naskapi: The Savage Hunters of the Labrador Peninsula (1938)Naskapi: The Savage Hunters o…Consumer Culture and Postmodernism (1993)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Discourse Analysis as Theory and Method (2002)Bad Endings: American Apocalypsis (1999)Methodology of the Oppressed (2010)Teaching social accountability by making the links: Qualitative evaluation of student experiences in a service-learning project (2011)Periodizing Modernism: Postcolonial Modernities and the Space/Time Borders of Modernist Studies (2006)Planetarity: Musing Modernist Studies (2010)The Cambridge History of Modernism (2017)Performing Autoethnography: An Embodied Methodological Praxis (2001)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The four elementary forms of sociality: Framework for a unified theory of social relations. (1992)Boundary Crossing and Boundary Objects (2011)Narrative configuration in qualitative analysis (1995)The teacher's soul and the terrors of performativity (2003)Autoethnography: An Overview (2010)Os pronomes cosmológicos e o perspectivismo ameríndio (1996)Cosmological Deixis and Amerindian Perspectivism (1998)The Mental Health of Aboriginal Peoples: Transformations of Identity and Community (2000)Dialogues and Doings: Sketching the Relationships Between Geography and Art (2011)Geography and art. An expanding field (2012)Image, Space, Revolution: The Arts of Occupation (2012)From reproduction to production (1972)On Using Informants: A Technique for Collecting Quantitative Data and Controlling Measurement Error in Organization Analysis (1974)Collaborative Ethnography and Public Anthropology (2005)
this work references cited by second hop

References

  • 1984The Postmodern Condition: A Report on Knowledge15,070 cited
  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 2026Art as Experience (1934)5,188 cited
  • 1994The postmodern condition2,052 cited
  • 1982From ritual to theatre : the human seriousness of play1,707 cited
  • 1979Sculpture in the Expanded Field678 cited
  • 2009Black Elk speaks: being the life story of a holy man of the Oglala Sioux312 cited
  • 1985"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern285 cited
  • 1985Bringing Home Animals: Religious Ideology and Mode of Production of the Mistassini Cree Hunters266 cited
  • 2014The Social Organization and the Secret Societies of the Kwakiutl Indians210 cited
  • 1938Naskapi: The Savage Hunters of the Labrador Peninsula140 cited
  • 1961European Vision and the South Pacific, 1768-1850. A Study in the History of Art and Ideas140 cited
  • 1989A Distant Mirror: The Calamitous Fourteenth Century119 cited
  • 1975Dilthey, philosopher of the human studies111 cited
  • 1990The Object of Performance: The American Avant-Garde since 197090 cited
  • 1979

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African Art in Motion
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