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Cited by

• 2017Music-Dance72 cited
• 2006The Male Dancer in the Middle East and Central Asia59 cited
• 2017Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–196248 cited
• 2009Chapter 11 Modes of Theorizing in Iranian Khorasan21 cited
• 2009Chapter 7 Music in Urban Space21 cited
• 2020When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s18 cited
• 2009Post-Salvagism: Choreography and Its Discontents in the Occupied Palestinian Territories16 cited
• 2009Chapter 9 Sīna ba Sīna or “From Father to Son”14 cited
• 2016Post-colonial folk dancing: reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia14 cited
• 2020Affective block and the musical racialisation of Romani sincerity13 cited
• 2017The Reda Folkloric Dance Troupe and Egyptian State Support During the Nasser Period13 cited
• 2016Inalienable performances, mutable heirlooms: Dance, cultural inheritance, and political transformation in the Republic of Guinea11 cited
• 2013Situating bhangra dance: a critical introduction10 cited
• 2015Pragmatism, identity, and the state How the Nuaulu of Seram have reinvented their beliefs and practices as “religion”