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No Crossing Branches? The Overlapping Technique in Schenkerian Analysis
4 references·0 citing·15 second hop
No Crossing Branches? The Overlapping Technique in Schenkerian Analysis (2016)No Crossing Branches? The Overlapping Tec…Models of Underlying Tonal Structure: How Can They Be Abstract, and How Should They Be Abstract? (1982)Models of Underlying Tonal St…Rhythm and the theory of structural levels (1981)Rhythm and the theory of stru…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…On Structural Levels in Music (1980)On Structural Levels in MusicStrict Counterpoint and Tonal Theory (1975)Toward a Formal Theory of Tonal Music (1977)Aspects of Musical Explanation (1979)Modes, Prolongations, and Analysis (1986)Bach's Partita No. 1 inB♭, BWV825: Schenker's Unpublished Sketches with Commentary and Alternative Readings (2008)The line of fifths and the co-evolution of tonal pitch-classes (2022)Schenker's Conception of Musical Structure (1959)Readings in Schenker analysis and other approaches (1977)Levels and the Reordering of Chapters in Schenker's "Free Composition" (1988)Calculating Tonal Tension (1996)Crossmodal correspondences between sounds and tastes (2012)Music Theory and the White Racial Frame (2020)The first movement of Mozart's piano sonata in A Minor, K.310: Some thoughts on structure and performance (1987)Form and Voice Leading in Early Beatles Songs (2011)Brahms's ‘Musical Prose’ Reconsidered (2022)
this work references cited by second hop

References

  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 1981Rhythm and the theory of structural levels22 cited
  • 1982Models of Underlying Tonal Structure: How Can They Be Abstract, and How Should They Be Abstract?13 cited
  • 1980On Structural Levels in Music8 cited

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