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Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading
8 references·1 citing·27 second hop
Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading (2015)Using Fundamental Groups and Groupoids of…A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …S cale T heory , S erial T heory and V oice L eading (2008)S cale T heory , S erial T he…Generalized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…Diagrams, gestures and formulae in music (2007)Diagrams, gestures and formul…Continuous Transformations (2004)Continuous TransformationsSome Ideas about Voice-Leading between PCSets (1998)Some Ideas about Voice-Leadin…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Gradus ad Parnassum (1967)Gradus ad ParnassumTransformations for the Twenty-First Century (2025)Transformations for the Twent…Generalized Musical Intervals and Transformations (1988)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The Tristan Chord Resolved (2009)Distorted Continuity: Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings (2015)Fourier Phase and Pitch-Class Sum (2019)Scale Networks and Debussy (2004)The Geometry of Musical Chords (2006)The Oxford Handbook of Neo-Riemannian Music Theories (2011)A geometry of music: harmony and counterpoint in the extended common practice (2012)La raison des gestes dans l'Occident médiéval (1990)Gesture and Thought (2005)Categorical gestures, the diamond conjecture, Lewin's question, and the Hammerklavier Sonata (2009)6 Feet Apart: Spaces and Cultures of Quarantine (2020)Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization (2020)Maximally Even Sets (1991)Generalized Musical Intervals and Transformations (2007)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Music in the Galant Style (2007)Musica practica: music theory as pedagogy (2002)The operant reserve: A computer simulation in (accelerated) real time (2005)Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets (2019)Voice Leading in Set-Class Space (2005)Continuous Harmonic Spaces (2007)A Cognitive Theory of Musical Meaning (2000)Action and Agency Revisited (2013)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)
this work references cited by second hop

References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1998Some Ideas about Voice-Leading between PCSets60 cited
  • 2007Diagrams, gestures and formulae in music58 cited
  • 1967Gradus ad Parnassum55 cited
  • 2004Continuous Transformations53 cited
  • 2008S cale T heory , S erial T heory and V oice L eading40 cited

Cited by

  • 2025Transformations for the Twenty-First Century4 cited

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