SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Art of Record Production
0 references·10 citing·35 second hop
The Art of Record Production (2016)The Art of Record ProductionThe Politics of Rammstein’s Sound (2021)The Politics of Rammstein’s S…Music Technology in Education (2020)Music Technology in EducationProses Produksi dalam Industri Musik Independen di Indonesia (2019)Proses Produksi dalam Industr…Music production in Swedish higher education : History and future challenges (2019)Music production in Swedish h…Gender Ventriloquism in Studio Production (2018)Gender Ventriloquism in Studi…‘Who can I be now?’: David Bowie’s Vocal Personae (2018)‘Who can I be now?’: David Bo…Towards a framework for creativity in popular music degrees (2017)Towards a framework for creat…Tracking the creative process in music: New issues, new methods (2016)Tracking the creative process…Our Stories, from Us, the “They” (2014)Our Stories, from Us, the “Th…Theory and Method in Popular Music Analysis: Text and Meaning (2012)Theory and Method in Popular …The archaeology of knowledge ; and, The discourse on language (1972)Discipline and Punish: The Birth of the Prison. (1978)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)The Politics of Military Force (2020)Music and RevolutionCultural Change in Socialist Cuba (2006)Music and Globalization (2011)Timba: The Sound of the Cuban Crisis (2017)Musical ImaginationsMultidisciplinary perspectives on creativity, performance and perception (2011)The Act of Musical Composition: Studies in the Creative Process (2012)Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim's 'Tongue of the Invisible' (2013)Dimensions of Musical Creativity (2020)On Popular Music (1941)Heartland excursions: ethnomusicological reflections on schools of music (1995)Song Means: Analysing and Interpreting Recorded Popular Song (2016)Work-integrated learning in university popular music programmes: localised approaches to vocational curricula in Melbourne, Australia and Wellington, Aotearoa/New Zealand (2020)The University Rock Ensemble: Popular music learning and drumming in higher education (2021)Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative Cinema (1975)Noise: The Political Economy of Music (1986)Studying Popular Music (1990)Studying Popular Music (1991)Performing rites: on the value of popular music (1997)Media Today: An Introduction to Mass Communication (1999)Metodologi Penelitian Kualitatif (2014)Strategies of inquiry (2017)Finding flow: the psychology of engagement with everyday life (1997)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)Beyond Big and Little: The Four C Model of Creativity (2009)Balancing Educational Purposes Within Higher Electronic Music Education – A Biestaian Perspective (2020)Teaching Aesthetics – A Case Study of One-To-One Tuition in Popular Electronic Music in Higher Education (2020)Understanding Popular Music (2003)Living in the End Times (2010)The Society of the Spectacle (2020)Mind in Society: The Development of Higher Psychological Processes (1978)The "What" and "Why" of Goal Pursuits: Human Needs and the Self-Determination of Behavior (2000)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016Tracking the creative process in music: New issues, new methods18 cited
  • 2019Music production in Swedish higher education : History and future challenges14 cited
  • 2012Theory and Method in Popular Music Analysis: Text and Meaning8 cited
  • 2018Gender Ventriloquism in Studio Production7 cited
  • 2019Proses Produksi dalam Industri Musik Independen di Indonesia6 cited
  • 2020Music Technology in Education5 cited
  • 2017Towards a framework for creativity in popular music degrees5 cited
  • 2021The Politics of Rammstein’s Sound3 cited
  • 2018‘Who can I be now?’: David Bowie’s Vocal Personae3 cited
  • 2014Our Stories, from Us, the “They”2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work