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Gina Pane's Witnesses
8 references·1 citing·23 second hop
Gina Pane's Witnesses (2002)Gina Pane's WitnessesThe ontology of performance (2010)The ontology of performanceThe ontology of performance: representation without reproduction (2003)The ontology of performance: …Private Performances: Editing Performance Photography (2002)Private Performances: Editing…Contract with the Skin (1998)Contract with the SkinBody art/performing the subject (1998)Body art/performing the subje…L'art contemporain en France (1987)L'art contemporain en FranceThe Originality of the Avant-garde and other Modernist Myths (1986)The Originality of the Avant-…The body in pain (1985)The body in painDepth‐charge in the archive: the documentation of performance revisited in the digital age (2010)Depth‐charge in the archive: …Rrose is a Rrose is a Rrose : gender performance in photography (1997)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Unmarked: The Politics of Performance (1994)Performers creators and audience: co-participants in an interconnected model of performance and creative process (2014)THE QUESTION CONCERNING TECHNOLOGY (2018)Suicide as escape from self. (1990)Out of Control: Visceral Influences on Behavior (1996)Relation of threatened egotism to violence and aggression: The dark side of high self-esteem. (1996)What's the Point of an Index? or, Faking Photographs (2008)Contemporary Art and the Politics of Aesthetics (2009)The Cambridge History of Modernism (2017)Writing as Performance: Using Performance Theory to Teach Writing in Theatre Classrooms (2009)What is Called Presence (2012)Sound Work: Music as Labor and the 1940s Recording Bans of the American Federation of Musicians (2013)The Topology of Contemporary Art (2008)Unbecoming: Queer Negativity/Radical Passivity (2011)Performing Endurance (2018)Theater jenseits des Dramas: Postdramatisches Theater (2012)Choreographic Objects (2013)Beginners On Stage: Arendt, Natality and the Appearance of Children in Contemporary Performance (2016)‘Body Art’ and Social Status: Cutting, Tattooing and Piercing from a Feminist Perspective (2000)Do Voices Matter? Vocality, Materiality, Gender Performativity (2011)Out Online: Trans Self-Representation and Community Building on YouTube (2016)
this work references cited by second hop

References

  • 1985The body in pain3,257 cited
  • 1998Body art/performing the subject605 cited
  • 1986The Originality of the Avant-garde and other Modernist Myths601 cited
  • 1998Contract with the Skin121 cited
  • 2003The ontology of performance: representation without reproduction78 cited
  • 2010The ontology of performance75 cited
  • 1987L'art contemporain en France29 cited
  • 2002Private Performances: Editing Performance Photography13 cited

Cited by

  • 2010Depth‐charge in the archive: the documentation of performance revisited in the digital age12 cited

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