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Spatial and Psychoacoustic Factors in Atonal Prolongation
11 references·3 citing·33 second hop
Spatial and Psychoacoustic Factors in Atonal Prolongation (1997)Spatial and Psychoacoustic Factors in Ato…Calculating Tonal Tension (1996)Calculating Tonal TensionSchoenberg on Ornamentation and Structural Levels (1994)Schoenberg on Ornamentation a…Tonality and Form in Debussy's "Prélude à 'L'Après-midi d'un faune" (1993)Tonality and Form in Debussy'…Atonal prolongational structure (1989)Atonal prolongational structu…New Approaches to the Linear Analysis of Music (1988)New Approaches to the Linear …The Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…Structural Functions in Music (1977)Structural Functions in MusicBela Bartok: An Analysis of His Music (1971)Bela Bartok: An Analysis of H…Structural functions of harmony (1954)Structural functions of harmo…Structural Hearing; Tonal Coherence in Music (1953)Structural Hearing; Tonal Coh…The craft of musical composition (1941)The craft of musical composit…Measuring Harmonic Tension in Post-Tonal Repertoire (2020)Measuring Harmonic Tension in…Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Schenkerian Theory in the Uni…The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern (2003)The Harmonic Function of the …Emotion and Meaning in Music (1961): Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981)Epistemologies of music theory (2002)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Harmony in Haydn and Mozart (2012)Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2 (1999)Defining Modular Transformations (1999)Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Perspectives of New Music (1963)Explaining Music (1973)The Structure of Atonal Music (1973)Syncopation as Motive in Schoenberg's Op. 19, Nos 2, 3 and 4 (1992)Inventing Tradition: Webern's Piano Variations in Early Recordings (2017)The Structure of Atonal Music (1974)Schenkerian Theory (1989)Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas (2000)Bruckner's symphonies: analysis, reception and cultural politics (2005)Texture as a Sign in Classic and Early Romantic Music (1982)Fantasy Pieces (1999)Meter and Grouping in African Music: A View from Music Theory (2000)Cognitive constraints on compositional systems (1992)Schoenberg's Musical Imagination (2007)Twentieth-Century Chamber Music (2004)Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók (2007)Composing Individuals: Ethnographic Reflections on Success and Prestige in the British New Music Network (2013)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)The Functional Extravagance of Chromatic Chords (1986)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Music as Discourse (2008)The "Illusion of Life" rhetorical perspective: an integrated approach to the study of music as communication (2001)Notes on Harmony in Wayne Shorter's Compositions, 1964–67 (2005)
this work references cited by second hop

References

  • 1977Structural Functions in Music330 cited
  • 1953Structural Hearing; Tonal Coherence in Music246 cited
  • 1954Structural functions of harmony195 cited
  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 1996Calculating Tonal Tension130 cited
  • 1989Atonal prolongational structure113 cited
  • 1941The craft of musical composition79 cited
  • 1971Bela Bartok: An Analysis of His Music76 cited
  • 1994Schoenberg on Ornamentation and Structural Levels35 cited
  • 1988New Approaches to the Linear Analysis of Music31 cited
  • 1993Tonality and Form in Debussy's "Prélude à 'L'Après-midi d'un faune"26 cited

Cited by

  • 2003The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern5 cited
  • 2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited
  • 2020Measuring Harmonic Tension in Post-Tonal Repertoire3 cited

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