SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Bodies of Modernity: Figure and Flesh in Fin-de-Siecle France
0 references·8 citing·26 second hop
Bodies of Modernity: Figure and Flesh in Fin-de-Siecle France (1998)Bodies of Modernity: Figure and Flesh in …Fantasías parisienses y sastrerías londinenses. Moda, comercio y publicidad en Buenos Aires a fines del siglo XIX (2020)Fantasías parisienses y sastr…The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School” (2017)The Trace Beneath: The Photog…Parodies of Female Flesh in the Fabric Sculptures of Tamara Kostianovsky (2017)Parodies of Female Flesh in t…Writing the Dandy through Art Criticism: Elegance and Civilization inMonsieur, 1920–1924 (2015)Writing the Dandy through Art…Identifying the patient in George W Lambert'sChesham Street (2013)Identifying the patient in Ge…Muscles, symmetry and action: ‘do you measure up?’ defining masculinity in Britain and America from the 1860s to the early 1900s (2007)Muscles, symmetry and action:…The ‘Women of New York’: A Fashionable Moral Geography (2001)The ‘Women of New York’: A Fa…Art, Fashion, and the Nude: A Nineteenth-century Realignment (2001)Art, Fashion, and the Nude: A…After the Great Divide (1986)The Condition of Postmodernity (1991)City of Dreadful Delight (1992)Hereditary genius: An inquiry into its laws and consequences. (1869)Manliness and Civilization (1995)The Rise of Statistical Thinking, 1820–1900 (2020)Between Men (1985)Between Men: English Literature and Male Homosocial Desire. (1985)The cultivation of whiteness: science, health and racial destiny in Australia (2003)Portraits, patients and practitioners (2013)Selected writings on art and literature (1953)Paris Fashion (1998)Art, Desire, and the Body in Ancient Greece (1999)The Civilizing Process (1939)Against Interpretation and Other Essays (1966)Consumer culture and modernity (1997)“Do You Call this Thing a Coat?”: Wit, the Epigram and the Detail in the Figure of the Ultimate Dandy, Beau Brummell (2017)The Subject of Semiotics (1984)The Painting of Modern Life: Paris in the Art of Manet and His Followers (1985)The Subversive Stitch: Embroidery and the Making of the Feminine (1991)The Burden of Representation (1988)The human motor: energy, fatigue, and the origins of modernity (1991)Camera Lucida: Reflections on Photography (2001)The Bon Marche (1981)Shopping for Pleasure: Women in the Making of London's West End (2001)A Magazine of Her Own?: Domesticity and Desire in the Woman's Magazine, 1800-1914 (2003)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2001The ‘Women of New York’: A Fashionable Moral Geography21 cited
  • 2007Muscles, symmetry and action: ‘do you measure up?’ defining masculinity in Britain and America from the 1860s to the early 1900s13 cited
  • 2013Identifying the patient in George W Lambert'sChesham Street5 cited
  • 2015Writing the Dandy through Art Criticism: Elegance and Civilization inMonsieur, 1920–19243 cited
  • 2001Art, Fashion, and the Nude: A Nineteenth-century Realignment3 cited
  • 2017The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”2 cited
  • 2020Fantasías parisienses y sastrerías londinenses. Moda, comercio y publicidad en Buenos Aires a fines del siglo XIX1 cited
  • 2017Parodies of Female Flesh in the Fabric Sculptures of Tamara Kostianovsky1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work